ื“ื•ื“ ืคื•ื’ืœ (1891โ€“1944)

 <ื‘ื”ื›ื ื”>

David Vogel

    ื“ื•ื“ ืคื•ื’ืœ ื ื•ืœื“ ื‘ืกื˜ื ื•ื‘ ืฉื‘ืคื•ื“ื•ืœื™ื” ื‘ื–ืณ ื‘ืื™ื™ืจ ืชืจื ืดื, 15 ื‘ืžืื™ 1891. ืžืฉื ืช 1912 ืขื“ 1925 ื™ืฉื‘ ื™ืฉื™ื‘ืชึพืงื‘ืข ื‘ื•ื•ื™ื ื” ื•ืœืื—ืจ ืžื›ืŸ ืขื‘ืจ ืœืคืจื™ื–. ืžืฉื ืช 1917 ื”ืชื—ื™ืœ ืœืคืจืกื ื‘ืขื™ืชื•ื ื•ืช ื”ืขื‘ืจื™ืช ืฉื™ืจื™ื ืœื™ืจื™ื™ื ืงื˜ื ื™ื, ืจื•ื‘ื ื—ืจื•ื–ื™ื ืœื‘ื ื™ื, ืฉืขื•ืจืจื• ืชืžื™ื“ ืชืฉื•ืžืชึพืœื‘. ื‘ึพ1923 ื™ืฆื ืœืื•ืจ ืกืคืจื• ืดืœืคื ื™ ื”ืฉืขืจ ื”ืืคืœืด, ืงื•ื‘ืฅ ืฉื™ืจื™ื. ืืช ื›ื•ื—ื• ื‘ืคืจื•ื–ื” ื”ืจืื” ืคื•ื’ืœ ืœืจืืฉื•ื ื” ื‘ืชืจื’ื•ืžื• ืืช ืดื”ื›ื•ืคืจ ืžืกื•ืื ื”ืด ืœื”ื•ื™ืคื˜ืžืŸ. ืืฉืชื• ื”ืจืืฉื•ื ื” ืœืงืชื” ื‘ืฉื—ืคืช, ื•ื’ื ืืฆืœื• ื ืชื’ืœื• ื‘ึพ1920 ืกื™ืžื ื™ ื”ืžื—ืœื”. ื‘ืฉื ืช 1919 ืขืœื” ืืจืฆื” ืืš ื”ื•ื ืœื ื”ืชืืงืœื ื‘ื” ื•ื›ืขื‘ื•ืจ ืฉื ื” ืฉื‘ ืœืื™ืจื•ืคื” ืœืกื™ื‘ื•ื‘ ื”ืจืฆืื•ืช ืขืœ ืดืœืฉื•ืŸ ื•ืกื™ื’ื ื•ืŸ ื‘ืกืคืจื•ืช ื”ืขื‘ืจื™ืช ื”ื—ื“ืฉื”ืด. ื”ื’ื•ืจืœ ืฉื”ื™ื” ืžื ืชึพื—ืœืงื• ื‘ืฉื ื•ืช ืžืœื—ืžืช ื”ืขื•ืœื ื”ืจืืฉื•ื ื” (ืžื—ื ื•ืชึพื”ืกื’ืจ ื•ืจืขื‘) ืคืงื“ ืื•ืชื• ื’ื ื‘ืฉื ื•ืช ืžืœื—ืžืช ื”ืขื•ืœื ื”ืฉื ื™ื™ื” ื‘ื”ื™ื•ืชื• ื‘ืฆืจืคืช; ืืฉืชื• ื”ืฉื ื™ื™ื” ื•ื‘ืชื• ื ื™ืฆืœื•, ืืš ื“ื•ื“ ืคื•ื’ืœ ื ืขืฆืจ, ื‘ื”ื™ื•ืชื• ื ืชื™ืŸ ื–ืจ, ื‘ื™ื“ื™ ื”ืžืฉื˜ืจื” ื”ืฆืจืคืชื™ืช ืฉืœ ื•ื•ื™ืฉื™. ื•ื›ืฉืชืคืกื• ื”ื ืืฆื™ื ืืช ื›ืœ ืฆืจืคืช ื‘ืกื•ืฃ 1942 ืขื•ื“ ืจืื•ื”ื• ื‘ื—ื™ื™ื. ืขืœ ืื—ืจื™ืชื• ื™ืฉื ืŸ ื™ื“ื™ืขื•ืชึพืฉืžื•ืขื•ืช ืฉื•ื ื•ืช ื•ืกื•ืชืจื•ืช. ืขืœ ื›ืœึพืคื ื™ื ื‘ืชื—ื™ืœืช 1944 ืžืฆืื• ื”ื ืืฆื™ื ืืช ื“ื•ื“ ืคื•ื’ืœ ื‘ื”ื•ื˜ื•ื•ื™ืœ (ืฉื‘ื“ืจื•ืึพืฆืจืคืช, ืฉื ืฉื”ืชื” ืืฉืชื• ื‘ื‘ื™ืชึพืžืจืคื ืœื—ื•ืœื™ึพืฉื—ืคืช), ื”ื•ืฆื™ืื•ื”ื• ืžืฉื ื•ืฉืœื—ื•ื”ื• ื›ื ืจืื” ืœืžื—ื ื” ื”ืฉืžื“ื”. ืกืจื˜ ื“ื•ืงื•ืžื ื˜ืจื™ ืื™ื‘ื“ ืคื•ื’ืœ ืืช ืคื•ื’ืœ ืขืœ ื—ื™ื™ื• ื•ื™ืฆื™ืจืชื•, ื”ื•ืคืง ื‘ืžืกื’ืจืช ื”ืกื“ืจื” ืณื”ืขื‘ืจื™ืืณ ื‘ื‘ื™ืžื•ื™ ืื™ื™ืœืช ืขืคืจื™ื ื‘ึพ2018.


ืœื›ืชื‘ื•ืช ื ื•ืกืคื•ืช ืขืœ ื“ื•ื“ ืคื•ื’ืœ ื‘ืกืคืจื™ื” ื”ืœืื•ืžื™ืช

ื™ืฆื™ืจื•ืช ื“ื•ื“ ืคื•ื’ืœ ื‘ืคืจื•ื™ืงื˜ ื‘ืŸึพื™ื”ื•ื“ื”

[ืžืงื•ืจื•ืช: ืงืจืกืœ, ื•ื™ืงื™ืคื“ื™ื”, ื”ืžื›ื•ืŸ ืœืชืจื’ื•ื ืกืคืจื•ืช ืขื‘ืจื™ืช, ะญะปะตะบั‚ั€ะพะฝะฝะฐั ะตะฒั€ะตะนัะบะฐั ัะฝั†ะธะบะปะพะฟะตะดะธั]



ืกืคืจื™ื•:

  • ืœืคื ื™ ื”ืฉืขืจ ื”ืืคืœ : ืฉื™ืจื™ื (ื•ื™ื ื” : ืžื—ืจ, 1923)
  • ื‘ื‘ื™ืช ื”ืžืจืคื : ืกืคื•ืจ (ื™ืจื•ืฉืœื : ืžืฆืคื”, ืชืจืคืดื—) <ืชื•ืจื’ื ืœื’ืจืžื ื™ืช, ืœื”ื•ืœื ื“ื™ืช, ืœืฆืจืคืชื™ืช ื•ืœืื ื’ืœื™ืช>
  • Im Sanatorium ; An der See :  zwei Novellen / aus dem Hebraฬˆischen von Ruth Achlama (Muฬˆnchen : List Verlag, 1994)
  • In het sanatorium / huit het Hebreeuws vertaald door Kees Meiling (Amsterdam : Meulenhoff, 1994)
  • Le sanatorium / traduit de lืณheฬbreu par Gabriel Roth (Paris : Mercure de France, 2000)
  • Two novellas : In the sanatorium ; & Facing the sea /  translated by Philip Simpson and Daniel Silverstone (London : Scribe, 2013)
  • ื—ื™ื™ ื ืฉื•ืื™ื : ืจื•ืžืŸ (ื™ืจื•ืฉืœื™ื โ€“ ืชืœึพืื‘ื™ื‘ : ืžืฆืคื”, ืชืจืดืฅ, 1929โ€“1930) <ืชื•ืจื’ื ืœืื ื’ืœื™ืช, ืœื’ืจืžื ื™ืช, ืœืกืคืจื“ื™ืช, ืœืื™ื˜ืœืงื™ืช ื•ืœืจื•ืกื™ืช>
  • Married life / translated from the Hebrew by Dalya Bilu (New York : Grove Press ; London : P. Halban, 1988)
  • Eine Ehe in Wien : Roman / aus dem Hebraฬˆischen von Ruth Achlama (Muฬˆnchen ; Leipzig : List Verlag, 1992)
  • Una Vida de casado / traducido del hebreo por Jacobo Isaiฬas Lerman y Carlos Aฬlvarez (Madrid :  Anaya & Mario Muchnik,  1994)
  • Vita coniugale :  romanzo /  traduzione dallืณebraico di Gaio Sciloni (Milano :  Adelphi,  1999)
  • ะ‘ั€ะฐั‡ะฝั‹ะต ัƒะทั‹ / ะ”ะฐะฒะธะด ะคะพะณะตะปัŒ ; ะฟะตั€ะตะฒะพะด ั ะธะฒั€ะธั‚ะฐ, ะฟั€ะตะดะธัะปะพะฒะธะต ะก. ะ“ะพะนะทะผะฐะฝ (ะœะพัะบะฒะฐ : ะœะพัั‚ั‹ ะบัƒะปัŒั‚ัƒั€ั‹ ; ะ˜ะตั€ัƒัะฐะปะธะผ : ะ“ะตัˆะฐั€ะธะผ, 2003)
  • ื›ืœ ื”ืฉื™ืจื™ื / ืžืœื•ืงื˜ื™ื ื‘ืฆื™ืจื•ืฃ ืžื‘ื•ื ื•ืžืงื•ืจื•ืช ื‘ื™ื“ื™ ื“ืŸ ืคื’ื™ืก (ืชืœึพืื‘ื™ื‘ : ืื’ื•ื“ืช ื”ืกื•ืคืจื™ื ืขืœ ื™ื“ื™ ื”ื•ืฆืืช ืžื—ื‘ืจื•ืช ืœืกืคืจื•ืช, ืชืฉื›ืดื•) <ื›ื•ืœืœ ื‘ื™ื‘ืœื™ื•ื’ืจืคื™ื” ืฉืœ ืžืืžืจื™ื ื•ืจืฉื™ืžื•ืช ืขืœ ื“ื•ื“ ืคื•ื’ืœ ื•ืขืœ ื™ืฆื™ืจืชื•>
  • ื›ืœ ื”ืฉื™ืจื™ื / ืžืœื•ืงื˜ื™ื ื‘ืฆื™ืจื•ืฃ ืžื‘ื•ื ื•ืžืงื•ืจื•ืช ื‘ื™ื“ื™ ื“ืŸ ืคื’ื™ืก (ืชืœึพืื‘ื™ื‘ : ืื’ื•ื“ืช ื”ืกื•ืคืจื™ื ื”ืขื‘ืจื™ื โ€“ ื”ืงื™ื‘ื•ืฅ ื”ืžืื•ื—ื“, ืชืฉืœืดื‘ 1971) <ืžื”ื“ื•ืจื” ืฉื ื™ื” ืžืชื•ืงื ืช ื•ืžื•ืจื—ื‘ืช> <ื›ื•ืœืœ ืจืฉื™ืžื” ืฉืœ ืดืžืืžืจื™ื ื•ืจืฉื™ืžื•ืช ืขืœ ื“ื•ื“ ืคื•ื’ืœ ื•ืขืœ ื™ืฆื™ืจืชื•ืด> <ืชื•ืจื’ื ืœืื ื’ืœื™ืช>
  • The dark gate :  selected poems of David Vogel /  translated from the Hebrew by A.C. Jacobs (London :  Menard Press,  1976)
  • ื ื•ื›ื— ื”ื™ื : ื ื•ื‘ืœื” (ืชืœึพืื‘ื™ื‘ : ืžืณ ื ื™ื•ืžืŸ : ืกืคืจื™ ืกื™ืžืŸ ืงืจื™ืื”, ืชืฉืœืดื“) <ืชื•ืจื’ื ืœืื™ื˜ืœืงื™ืช>
  • Davanti al mare / traduzione dallืณebraico di Sarah Kaminski e Elena Loewenthal (Milano : Anabasi, 1992)
  • ื‘ื‘ื™ืช ื”ืžืจืคื (ืชืœึพืื‘ื™ื‘ : ืžืฉืจื“ ื”ื‘ื˜ื—ื•ืŸ, ื”ื”ื•ืฆืื” ืœืื•ืจ : ืกืคืจื™ื™ืช ืชืจืžื™ืœ, ืชืฉืœืดื” 1974)
  • ืœืขื‘ืจ ื”ื“ืžืžื” : ืฉื™ืจื™ื / ืขืจื•ื›ื™ื ื‘ืฆื™ืจื•ืฃ ืžื‘ื•ื ื•ื ืกืคื—ื™ื ืขืœ ื™ื“ื™ ืื”ืจืŸ ืงื•ืžื (ืชืœึพืื‘ื™ื‘ : ื”ืงื™ื‘ื•ืฅ ื”ืžืื•ื—ื“, ืชืฉืžืดื’ 1983)
  • ื—ื™ื™ ื ื™ืฉื•ืื™ื : ืจื•ืžืืŸ (ืชืœึพืื‘ื™ื‘ : ื”ืงื™ื‘ื•ืฅ ื”ืžืื•ื—ื“, ืชืฉืžืดื– 1986)
  • ืชื—ื ื•ืช ื›ื‘ื•ืช : ื ื•ื‘ืœื•ืช, ืจื•ืžืืŸ, ืกื™ืคื•ืจ, ื™ื•ืžืŸ (ืชืœึพืื‘ื™ื‘ : ื”ืงื™ื‘ื•ืฅ ื”ืžืื•ื—ื“, ืชืฉืดืŸ 1990) <ื”ื™ื•ืžืŸ ืณืงืฆื•ืช ื”ื™ืžื™ืืณ, ืชื•ืจื’ื ืœื’ืจืžื ื™ืช>
  • Das Ende der Tage : Tagebuฬˆcher und autobiographische Aufzeichnungen 1921โ€“1922 und 1941/42 / mit einem Vorwort von Amir Eshel ; aus dem Hebraฬˆischen von Ruth Achlama (Muฬˆnchen ; Leipzig : List Verlag, 1995)
  • ื›ืœ ื”ืฉื™ืจื™ื (ืชืœึพืื‘ื™ื‘ : ื”ืงื™ื‘ื•ืฅ ื”ืžืื•ื—ื“, 1998) <ืขืจื™ื›ื” โ€“ ืื”ืจืŸ ืงื•ืžื>
  • ื ื•ื›ื— ื”ื™ื : ื ื•ื‘ืœื” (ืชืœึพืื‘ื™ื‘ : ื”ืงื™ื‘ื•ืฅ ื”ืžืื•ื—ื“ : ืกืคืจื™ ืกื™ืžืŸ ืงืจื™ืื”, ืชืฉืกืดื” 2005)
  • ื‘ื‘ื™ืช ื”ืžืจืคื : ื ื•ื‘ืœื” (ื‘ื ื™ึพื‘ืจืง : ื”ืงื™ื‘ื•ืฅ ื”ืžืื•ื—ื“, ืชืฉืกืดื— 2008) <ืขื•ืจืš ื”ืกืคืจ โ€“ ืžื ื—ื ืคืจื™ ; ืขื•ื–ืจืช ืœืขื•ืจืš โ€“ ืžื™ืจื™ ืฆืคืจื™ืจ>
  • ืจื•ืžืŸ ื•ื™ื ืื™ (ืชืœึพืื‘ื™ื‘ : ืขื ืขื•ื‘ื“, ืชืฉืขืดื‘ 2012) <ืื—ืจื™ืช ื“ื‘ืจ ืžืืช ืœื™ืœืš ื ืชื ืืœ> <ืชื•ืจื’ื ืœืื ื’ืœื™ืช, ืœื’ืจืžื ื™ืช, ืœืื™ื˜ืœืงื™ืช ื•ืœื”ื•ืœื ื“ื™ืช>
  • Viennese romance / translated by Dalya Bilu (Brunswick, Vic. :  Scribe Publications,  2013)
  • Eine Wiener Romanze :  Roman / aus dem Hebraฬˆischen von Ruth Achlama (Berlin : Aufbau, 2013) <Mit einem Nachwort von Youval Shimoni und Lilach Natanel>
  • Romanzo viennese /  traduzione di Alessandra Shomroni   (Firenze : Giuntina, 2014)  <Postfazione di Lilach Nethanel ; nota sul testo di Youval Shimoni e Lilach Nethanel>
  • Een Weense romance / vertaald uit het Hebreeuws door Kees Meiling (Amsterdam : Athenaeum-Polak & Van Gennep, 2014)
  • ืœืคื ื™ ื”ืฉืขืจ ื”ืืคืœ : ืฉื™ืจื™ื (ื‘ื ื™ึพื‘ืจืง : ื”ืงื™ื‘ื•ืฅ ื”ืžืื•ื—ื“, ืชืฉืขืดื‘ 2012) <ื”ื“ืคืกื” ืคืงืกื™ืžื™ืœื™ืช ืฉืœ ืžื”ื“ืณ ืจืืฉื•ื ื”, ื•ื™ื ื” 1923>
  • ืขืœ ืฉืคืช ื”ื›ึผึฐืจืš (ื‘ื ื™ึพื‘ืจืง : ื”ื•ืฆืืช ื”ืงื™ื‘ื•ืฅ ื”ืžืื•ื—ื“, ืชืฉืขืดื˜ 2018) <ืดืžื‘ื—ืจ ื–ื” ืžืชื‘ืกืก ืขืœ ืžื”ื“ื•ืจืช ื›ืœ ืฉื™ืจื™ ื“ื•ื“ ืคื•ื’ืœ, ื‘ืขืจื™ื›ืช ืื”ืจืŸ ืงื•ืžืืด. ืขื•ืจื›ื™ื โ€“ ืขื•ื–ื™ ืฉื‘ื™ื˜ ื•ื’ื“ืขื•ืŸ ื˜ื™ืงื•ืฆืงื™>
  • ืื”ื‘ื” ืขื“ ื›ืœื•ืช : ื—ื™ืœื•ืคื™ ืžื›ืชื‘ื™ื ื‘ื™ืŸ ื”ืžืฉื•ืจืจ ื“ื•ื“ ืคื•ื’ืœ ืœื‘ื™ืŸ ืจืขื™ื™ืชื• ืขื“ื” ื ื“ืœืจึพืคื•ื’ืœ  (ื—ื‘ืœึพืžื•ื“ื™ืขื™ืŸ : ื›ื ืจืชึพื–ืžื•ืจื”ึพื‘ื™ืชืŸ : ื”ืงืฉืจื™ื ื”ืžื›ื•ืŸ ืœื—ืงืจ ื”ืกืคืจื•ืช ื•ื”ืชืจื‘ื•ืช ื”ื™ื”ื•ื“ื™ืช ื•ื”ื™ืฉืจืืœื™ืช, ืชืฉืขืณืณื˜  2019) <ืžื‘ื•ืื•ืช, ื”ืขืจื•ืช ื•ื‘ื™ื•ื’ืจืคื™ื” โ€“ ื“ืŸ ืœืื•ืจ, ืจื—ืœ ืกื˜ืคืง>
  • ืœืฉื•ืŸ ื•ืกื’ื ื•ืŸ ื‘ืกืคืจื•ืชื ื• ื”ืฆืขื™ืจื” (ืชืœึพืื‘ื™ื‘ : ืชืจืกื˜ ื”ื•ืฆืื” ืœืื•ืจ, 2022) <ื›ื•ืœืœ ืื—ืจื™ืช ื“ื‘ืจ ืžืืช ืœื™ืœืš ื ืชื ืืœ> <ื ื“ืคืก ืœืจืืฉื•ื ื” ื‘ื›ืชื‘ึพื”ืขืช ื‘ืฆืจื•ืŸ, (ื‘ื”ืฉืžื˜ื•ืช), ืฉื ื” ื›ืดื•, ื›ืจืš ื ืดื, ื—ื•ื‘ืจืช ืืณ (247) (ืชืฉืจื™โ€“ื—ืฉื•ืŸ ืชืฉื›ืดื”, ืื•ืงื˜ื•ื‘ืจ 1964), ืขืžืณ 9โ€“13 (ืขื ื”ืงื“ืžื” ืžืืช ืžืฉื” ื”ื ืขืžื™ (ื–ื™ื ื’ืจ)) ื•ื‘ื›ืชื‘ึพื”ืขืช ืกื™ืžืŸ ืงืจื™ืื”, ื—ื•ื‘ืจืช 3โ€“4 (ืžืื™ 1974), ืขืžืณ 388โ€“391>

ืชืจื’ื•ื:

  • ื”ื›ื•ืคืจ ืžืกื•ืื ื” / ื’ืจื”ืจื˜ ื”ื•ื™ืคื˜ืžืŸ (ื•ืจืฉื” : ืฉื˜ื™ื‘ืœ, ืชืจืคืดื’)

ืขืœ ื”ืžื—ื‘ืจ ื•ื™ืฆื™ืจืชื•:

ืกืคืจื™ื:
  • ื‘ืงื•ืŸ, ื™ืฆื—ืง.  ื“ื•ื“ ืคื•ื’ืœ ื”ืžืฉื•ืจืจ ื›ืืžืŸ ืดื ืกืชืจืด (ื™ืจื•ืฉืœื™ื : ื›ืจืžืœ, ืชืฉืกืดื• 2005)
  • ื›ื—ืœื ื™, ืฉื™.  ืฉื—ื•ืจ ืžืงืฆื” ืœืงืฆื” : ืงืจื™ืื” ื‘ื™ืฆื™ืจื•ืช ื”ืคืจื•ื–ื” ืฉืœ ื“ื•ื“ ืคื•ื’ืœ (ื—ื™ืคื” : ืคืจื“ืก ื”ื•ืฆืื” ืœืื•ืจ, ืชืฉืคืดื’ 2022)
  • ืœืื•ืจ, ื“ืŸ.  ื‘ืงืจื•ืŸ ื”ื—ืชื•ื : ืคืจืฉืช ื—ื™ื™ื•, ื ื“ื•ื“ื™ื• ื•ืžื•ืชื• ืฉืœ ื”ืžืฉื•ืจืจ ื“ื•ื“ ืคื•ื’ืœ (ืชืœึพืื‘ื™ื‘ : ื”ื•ืฆืืช ืขื ืขื•ื‘ื“, ืชืฉืคืดื’ 2023)
  • ื ืชื ืืœ, ืœื™ืœืš.  ื›ืชื‘ ื™ื“ื• ืฉืœ ื“ื•ื“ ืคื•ื’ืœ : ืžื—ืฉื‘ืช ื”ื›ืชื™ื‘ื” (ืจืžืชึพื’ืŸ : ืื•ื ื™ื‘ืจืกื™ื˜ืช ื‘ืจึพืื™ืœืŸ, ืชืฉืขืดื‘ 2012)
    ืชื•ื›ืŸ ื”ืขื ื™ื ื™ื
  • ืงื•ืžื, ืื”ืจืŸ. ื”ืื•ืคืœ ื•ื”ืคืœื : ืขื™ื•ื ื™ื ื‘ื™ืฆื™ืจืชื• ืฉืœ ื“ื•ื“ ืคื•ื’ืœ (ื—ื™ืคื” : ื”ื•ืฆืืช ื”ืกืคืจื™ื ืฉืœ ืื•ื ื™ื‘ืจืกื™ื˜ืช ื—ื™ืคื”, ืชืฉืกืดื 2001)
  • ืจื™ื™ืš, ื“ื ื”.  ืžื‘ื˜ ืกืžื ื˜ื™ ืขืœ ืœืฉื•ืŸ ื”ืฉื™ืจื” ืฉืœ ืœืื” ื’ื•ืœื“ื‘ืจื’ ื•ื“ื•ื“ ืคื•ื’ืœ (ืชืœึพืื‘ื™ื‘, 2007) <ืขื‘ื•ื“ืช ื’ืžืจ ืœืชื•ืืจ ืดืžื•ืกืžืšืด. ืื•ื ื™ื‘ืจืกื™ื˜ืช ืชืœึพืื‘ื™ื‘, 2007>
  • ืฉืžื™ืจ, ืœื™ืœื™.  ื”ื™ืคืจื“ื•ืช ื•ืื™ื—ื•ื“ ื‘ืฉื™ืจืช ื“ื•ื“ ืคื•ื’ืœ (ืจืžืชึพื’ืŸ, ืชืฉืกืดื 2000) <ื“ื™ืกืจื˜ืฆื™ื”โ€“ืื•ื ื™ื‘ืจืกื™ื˜ืช ื‘ืจึพืื™ืœืŸ, ืชืฉืกืดื 2000>
  • David Fogel (1891โ€“1944) and the emergence of Hebrew modernism / edited by Michael Gluzman, Chana Kronfeld, and Eric Zakim (Baltimore, Maryland : Johns Hopkins University Press, 1993) (Prooftexts : a journal of Jewish literary history, vol. 13, no. 1, January 1993)
    Table of contents:
ืžืืžืจื™ื: ืขืœ ืดืœืคื ื™ ื”ืฉืขืจ ื”ืืคืœืด ืขืœ ืดื‘ื‘ื™ืช ื”ืžืจืคืืด ืขืœ ืดื—ื™ื™ ื ื™ืฉื•ืื™ืืด ืขืœ ื”ืžื—ื–ื” ืดื—ื™ื™ ื ื™ืฉื•ืื™ืืด ื”ืžื‘ื•ืกืก ืขืœ ืกืคืจื• ืฉืœ ื“ื•ื“ ืคื•ื’ืœ
  • ื‘ืจึพื™ืขืงื‘, ืฉื™. ื ื™ืฉื•ืื™ื ื‘ื‘ื ื™ ืื“ื.  ื™ื“ื™ืขื•ืช ืื—ืจื•ื ื•ืช, 7 ืœื™ืœื•ืช, ื–ืณ ื‘ืื“ืจ ื‘ืณ ืชืฉืกืดื—, 14 ื‘ืžืืจืก 2008, ืขืžืณ 20 <ืขืœ ื”ืขื™ื‘ื•ื“ ืœืชื™ืื˜ืจื•ืŸ ืฉืœ ื“ืœื™ื” ืฉื™ืžืงื• ืœืกืคืจ ืฉืœ ื“ื•ื“ ืคื•ื’ืœ: ืดื—ื™ื™ ื ื™ืฉื•ืื™ืืด>
ืขืœ ืดื ื•ื›ื— ื”ื™ืืด
  • ื. ืจ.  ื ื•ื›ื— ื”ื™ื.  ืงืฉืช, ืฉื ื” ื™ืดื–, ื—ื•ื‘ืณ ื (ืกื”) (ืกืชื™ื• ืชืฉืœืดื” 1974), ืขืžืณ 157.
  • ืืจื‘ืœ, ืžื™ื›ืœ. ืดื‘ื‘ืช ืื—ืช ื ืžืฆืืช ืชืœื•ืฉ ืžืฉื•ื ืžืงื•ื ืžืกื•ื™ื ืฉืฆื•ืจืชื• ืงื‘ื•ืขื” ื‘ื ืคืฉ ื•ืขื•ืžื“ืชืด.  ื”ืืจืฅ, ืžื•ืกืฃ ืกืคืจื™ื, ื’ืœืณ 652 (ื™ืดื˜ ื‘ืื‘ ืชืฉืกืดื”, 24 ื‘ืื•ื’ื•ืกื˜ 2005), ืขืžืณ 6.
  • ื‘ืŸึพืขื–ืจ, ืื”ื•ื“.  ืขื ื”ืกื™ืคื•ืจืช ืฉืœ ื“ื•ื“ ืคื•ื’ืœ.  ืขืœ ื”ืžืฉืžืจ, ื–ืณ ื‘ืื‘ ืชืฉืœืดื“, 26 ื‘ื™ื•ืœื™ 1974, ืขืžืณ 5.
  • ื‘ืจื•ื ื•ื‘ืกืงื™, ื™ื•ืจื. ืฆื‘ืข ื”ื ืคืฉ.  ืžืื–ื ื™ื: ื™ืจื—ื•ืŸ ืœืกืคืจื•ืช, ื›ืจืš ืœืดื˜, ื’ืœืณ 5 (1974), ืขืžืณ 342โ€“345 <ื—ื–ืจ ื•ื ื“ืคืก ื‘ืกืคืจื• ื‘ื™ืงื•ืจืช ืชื”ื™ึถื” : ืจืฉื™ืžื•ืช ืขืœ ืฉื™ืจื”, ืคืจื•ื–ื” ื•ืžืกื” ื‘ืกืคืจื•ืช ื”ืขื‘ืจื™ืช / ืขืจืš ื•ื”ื•ืกื™ืฃ ืื—ืจื™ืช ื“ื‘ืจ โ€“ ื“ื•ื“ ื•ื™ื ืคืœื“ (ื™ืจื•ืฉืœื™ื : ื›ืจืžืœ, ืชืฉืกืดื• 2006), ืขืžืณ 143โ€“147>
  • ื—ื‘ืจ, ื—ื ืŸ.
  • ื’ืœืกื ืจ, ืืจื™ืง. ืขื•ื ื’ ืจื‘ ืขื•ืฆืžื”. ืžืขืจื™ื‘, ืžื•ืกืฃ ืฉื‘ืช โ€“ ืกืคืจื•ืช ื•ืกืคืจื™ื, ื–ืณ ื‘ืื‘ ืชืฉืกืดื”, 12 ื‘ืื•ื’ื•ืกื˜ 2005, ืขืžืณ 26.
  • ื›ื”ืŸ, ืื™ื™ืœืช. ืœื”ื™ืื‘ืง ื‘ื™ืŸ ื”ื’ืœื™ื.  ืžืงื•ืจ ืจืืฉื•ืŸ, ืฉื‘ืช, ื’ืณ ื‘ืื‘ ืชืฉืกืดื•, 28 ื‘ื™ื•ืœื™ 2006, ืขืžืณ 6 <ืดื”ื”ื ื’ื“ื” ื‘ืณื ื•ื›ื— ื”ื™ืืณ ื‘ื™ืŸ ืขื•ืžืง ื”ื™ื ืœืจื“ื™ื“ื•ืช ื”ืื“ืžื” ื”ื•ืคื›ืช ื’ื ืืช ื”ืงื•ืจื ืœื“ืžื•ืช ืกื™ืคื•ืจื™ืช ื”ื ื—ื‘ื˜ืช ืœืœื ื”ืจืฃ ื‘ืžืื‘ืงื” ืขืœ ื”ืงื™ื•ืืด>
  • ืขื‘ืื“ื™, ืขื“ื™ื ื”.  ืขื™ืฆื•ื‘ ืžืจื—ื‘ึพื–ืžืŸ ื‘ื ื•ื‘ืœื” ืดื ื•ื›ื— ื”ื™ืืด ืœื“ื•ื“ ืคื•ื’ืœ. ื‘ืชื•ืš: ื”ืขื‘ืจื™ืช ืฉืคื” ื—ื™ื” : ืงื•ื‘ืฅ ืžื—ืงืจื™ื ืขืœ ื”ืœืฉื•ืŸ ื‘ื”ืงืฉืจื™ื” ื”ื—ื‘ืจืชื™ื™ืึพืชืจื‘ื•ืชื™ื™ื ื‘ืขืงื‘ื•ืช ื›ื ืก ืื•ืจื ื™ื ืชืฉืกืดื“ / ืขื•ืจื›ื™ื, ืจื™ื ื” ื‘ืŸึพืฉื—ืจ ื•ื’ื“ืขื•ืŸ ื˜ื•ืจื™ (ืชืœึพืื‘ื™ื‘ : ื”ืงื™ื‘ื•ืฅ ื”ืžืื•ื—ื“ : ื”ืžื›ื•ืŸ ื”ื™ืฉืจืืœื™ ืœืคื•ืื˜ื™ืงื” ื•ืกืžื™ื•ื˜ื™ืงื” ืขืดืฉ ืคื•ืจื˜ืจ โ€“ ืื•ื ื™ื‘ืจืกื™ื˜ืช ืชืœึพืื‘ื™ื‘), ื›ืจืš ื“ืณ (2006), ืขืžืณ 307โ€“325.
  • ืคื™ืฉืจ, ื–ื”ื‘ื”.  ื”ื™ื, ื”ืกืžืœ ื•ื”ืžืžืฉื•ืช.  ืžืงื•ืจ ืจืืฉื•ืŸ, ืฉื‘ืช, ื’ืณ ื‘ืื‘ ืชืฉืกืดื•, 28 ื‘ื™ื•ืœื™ 2006, ืขืžืณ 5, 7.
  • ืฉืžื™ืจ, ืœื™ืœื™.  ืื™ื–ื• ืžืŸ ื—ื•ืคืฉื”.  ื™ื“ื™ืขื•ืช ืื—ืจื•ื ื•ืช, ื”ืžื•ืกืฃ ืœืฉื‘ืช โ€“ ืกืคืจื•ืช, ื–ืณ ื‘ืื‘ ืชืฉืกืดื”, 12 ื‘ืื’ื•ืกื˜ 2005, ืขืžืณ 29.
  • Abadi, Adina.  Landscape versus Time in the novella Facing the Sea by David Fogel (Vogel). Revue Europรฉenne des Etudes Hรฉbraรฏques, no. 19 (2017), pp. 130โ€“152.
ืขืœ ืดื›ืœ ื”ืฉื™ืจื™ืืด (ืžื”ื“ื•ืจืช 1972) ืขืœ ืดื›ืœ ื”ืฉื™ืจื™ืืด (ืžื”ื“ื•ืจืช 1998)
  • ื‘ืจื•ื ื•ื‘ืกืงื™, ื™ื•ืจื. ืงื•ืœื• ืฉืœ ื“ื•ื“ ืคื•ื’ืœ: ืฉื™ืจื”. ื”ืืจืฅ, ืชืจื‘ื•ืช ื•ืกืคืจื•ืช, ื™ืดื˜ ื‘ืื™ื™ืจ ืชืฉื ืดื—, 15 ื‘ืžืื™ 1998, ืขืžืณ ื“ 2.
  • ืœืื•ืจ, ื™ืฆื—ืง.  ืขื“ ืชืขื‘ื•ืจ ื”ืกืคื™ื ื” ื”ืฉื—ื•ืจื”.  ื”ืืจืฅ, ืชืจื‘ื•ืช ื•ืกืคืจื•ืช, ื‘ืณ ื‘ืชืžื•ื– ืชืฉื ืดื—, 26 ื‘ื™ื•ื ื™ 1998, ืขืžืณ ื‘ 14.
  • ืžืื™ืจื•ื‘ื™ืฅ, ื“ื•ืจื™ืช.  ื ื•ืฃ ื”ืื™ืžื”.  ื™ื“ื™ืขื•ืช ืื—ืจื•ื ื•ืช, ื”ืžื•ืกืฃ ืœืฉื‘ืช โ€“ ืชืจื‘ื•ืช, ืกืคืจื•ืช, ืืžื ื•ืช, ื•ืณ ื‘ืืœื•ืœ ืชืฉื ืดื—, 28 ื‘ืื•ื’ื•ืกื˜ 1998, ืขืžืณ 27โ€“28.
ืขืœ ืดืจื•ืžืŸ ื•ื™ื ืื™ืด
ืขืœ ื”ืกืจื˜ ื”ื“ื•ืงื•ืžื ื˜ืจื™ ืดืื™ื‘ื“ ืคื•ื’ืœ ืืช ืคื•ื’ืœืด
ืขืœ ืดืื”ื‘ื” ืขื“ ื›ืœื•ืชืด
ืงื™ืฉื•ืจื™ื:

OpenLibrary โ€“ OL170007A Wikidata โ€“ Q79071 NLI โ€“ 987007303232605171 LC โ€“ n83300309 VIAF โ€“ 71416423
ืขื•ื“ื›ืŸ ืœืื—ืจื•ื ื”: 2 ื‘ืื•ื’ื•ืกื˜ 2026

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