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×× ×× ××'××
(1971) |
<×××× ×> |
Yaniv Hagbi |
 ×× ×× ××'××,
× ××× ××Š× ×Ē 1971 ×פ×Ē× ×Ēק××. ××× ×¤×××ץ×פ×× ×ץפר××Ē ×׊××××Ē××Ē ×××× ××רץ×××Ē
×ר-×××× ××××× ×ר×Ļ×
×××× ××רץ×××Ē ××ץ×ר×× ×××× ××××××Ē, ×ר×××Ē ××ĸ×ר××Ē.
[×Ļ××××: ×××× ××ר]
ץפר××:
- ׊×ר×Ē ×××× ×××××× : ×ĸ××× ×׊××× ××Ēפ×ץ×Ē ××Š×¤× ×"×ĸ× ×× ×" ×׊"× ×ĸ×× ××, La vie mode d'emploi × Georges Perec ×ץ×××××Ē××× (×Ē׊ץ"× 2002)
<××ץר××Ļ××--××× ××רץ×××Ē ×ר ××××, ×Ē׊ץ"× 2002>
- ×׊×× ××ĸ×ר, ×׊×ק : ×××××Ē ×ץ×פר-ץ×ר×ק××ר×××× ×פ×××××§× ×Š×
׊"× ×ĸ×× ×× (×ר×׊××× : ×ר××, ×Ē׊ץ"× 2007)
<×××××¨× ××Ē××§× ×Ē ××× ××××Ē ××פ××ĸ× ×-2009>
×Ē××× ××ĸ× ×× ××
- Language,
absence, play : Judaism and superstructuralism in the poetics of
S.Y. Agnon (Syracuse, NY : Syracuse University Press, 2009)
- ×××ר×× ××Ē××× × ×××Ē×××Ē ×××××Ē (×Ē×-×××× : ×××, ×Ē׊"×ĸ 2009) <×ĸר××× â ×ĸ××× ×××ק׊××××>
- ץפר×××Ē ×××××××Ē× (×××Š× ××-׊××: ××Ēר, 2017)
×Ēר×××:
- ×'×ר×' פרק, ×××× ×××××× : ××××רפ×× / ×××××× ×××ץ (×Ē× ×××× : ×××, 2016)
×ĸ× ××××ר ×××Ļ×ר×Ē×:
×ĸ× "×׊××, ××ĸ×ר, ×׊×ק"
- ×ר××, × ×××Ē. ×ĸ×× ×× ××¤× ×Š××
׊××ĸר×Ē×. ×ĸ×Ē×× 77, ××'
348 (×Ē×××-×× ×Ē׊"×ĸ, ××× ×-×××× 2010), ×ĸ×' 6Öž7.
- ×ר××, × ×××Ē. ×ר××× ×¤×× ×Ē ×ĸ×× ××.
Time Out ×Ē× ××××, ××' 278 (28 ×פ×ר××ר ×ĸ× 6 ×××רץ 2008), ×ĸ×' 123.
- ×××ר, ××Ļ×ק. ××ĸ×
×× × ××ĸ× ××××. ××ר×Ĩ,
×Ēר×××Ē ×ץפר××Ē, ×"× ××ץ×× ×Ē׊ץ"×, 7 ×××Ļ××ר 2007, ×ĸ×' 2.
- Barzilai, Maya. <Review>.
Hebrew Studies, vol. 51 (2010), pp. 427-429.
×ĸ× "×××ר×× ××Ē××× × ×××Ē×××Ē ×××××Ē"
×ĸ× "ץפר×××Ē ×××××××Ē×"
- ×ץ××, ×'× ××. ×פ×Ļ× ××Ē ××××Ē ×××Ē×××.
××ר×Ĩ, ××ר××, ×"× ××× ×Ē׊×ĸ"×, 10 ××××××Ą× 2017, ×ĸ×' 1Öž2 <׊××× ×ĸ× ×ץ×פר ×ĸ× ×Ļ××Ē ×Ą×¤×¨× ×××ר>
×ĸ× "×'×ר×' פרק, ×××× ××××××" ×××Ē ××××××× ×××ץ
- ××, ר×× ×.
×××××, ××ר×××Ē ׊×××׊. ××××ĸ××Ē ××ר×× ××Ē, 7 ×××××Ē, ×"×
××ץ×× ×Ē׊×ĸ"×, 16 ×××Ļ××ר 2016, ×ĸ×' 23.
- ׊××, ×ĸ××××. ×× ××Ē ××Ļ×ĸ×Ļ××ĸ×× ×××××× ×Š× ×׊פ×.
×ק×ר ר×׊××, ׊××Ē, ××' 1007 (×"× ××׊×× ×Ē׊×ĸ"×, 25 ×× ××××ר 2016), ×ĸ×' 18Öž19.
ק×׊×ר××:
×ĸ×××× ×××ר×× ×: 10 ××× ××ר 2018
×ר×׊
×××Ŗ
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