Something to Remember
| Something to Remember | ||||
|---|---|---|---|---|
| Compilation album by | ||||
| Released | November 3, 1995 | |||
| Recorded | 1984–1995 | |||
| Genre | Pop | |||
| Length | 71:08 | |||
| Labels | ||||
| Producers |
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| Madonna chronology | ||||
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| Singles from Something to Remember | ||||
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Something to Remember is a compilation album by American singer and songwriter Madonna. It was released on November 3, 1995, by Maverick Records. After a controversial period in her career, she conceived a compilation of pop ballads spanning more than a decade to present a softer image to the public.
Madonna produced the new material for Something to Remember with David Foster and Nellee Hooper. She stated that the album was an attempt to make the public recognize her for her music rather than the controversies surrounding her career in the earlier part of the decade. In addition to the older songs, it included a reworked "Love Don't Live Here Anymore" and three new songs: "You'll See", "One More Chance", and "I Want You"—a cover of Marvin Gaye's 1976 single. The set contained the singles "I'll Remember" and "This Used to Be My Playground", which marked the first time both were featured on a Madonna album.
Music critics acclaimed Madonna's vocals as rich and expressive and embraced the album's gentler material and cohesiveness. "You'll See", the first of its four singles, reached number six on the US Billboard Hot 100 and the top five in four countries. "Oh Father", "One More Chance", and "Love Don't Live Here Anymore" were not as successful. Topping the charts in Australia, Austria, Estonia, Finland, Italy, and Singapore, Something to Remember garnered multi-platinum certifications across the Americas, Europe, and the Asia–Pacific region, and sold over 10 million copies worldwide.
Background
[edit source]American singer and songwriter Madonna issued Erotica and Sex—her fifth studio album and a coffee-table book, respectively—in October 1992.[1] A common critique of Erotica was its sexually explicit nature; nonetheless, it received a largely positive reception.[2][3] Due to its sexually explicit photographs, Sex was widely condemned by critics.[note 1] In the erotic thriller film Body of Evidence (1993), Madonna depicted a gallery owner accused of murdering a wealthy older man after the two had sex. She then portrayed the abused wife of a filmmaker in the drama Dangerous Game (1993).[10] Both films were released to widespread negative reception.[11] In a highly publicized appearance on the Late Show with David Letterman in March 1994, Madonna used profanity that required broadcast censorship and handed the host a pair of her underwear while urging him to smell it.[12]
Commentators began to question Madonna's dependence on provocative imagery following the sexually explicit releases of Sex and Erotica, in addition to her film roles and Letterman appearance. Madonna began to realize that she may have pushed her sexual image too far and felt displeased with how it began to overshadow her music.[13][14] She desired to reinvent her image to remind the public that there was more to her career than the controversies surrounding it.[15] In August 1995, Music & Media announced that Madonna was working on a greatest-hits album tentatively titled I Want You, which would consist solely of ballads, contain two new songs, and be scheduled for release around the Christmas season.[16]
Composition and development
[edit source]
David Reitzas produced and remixed "Love Don't Live Here Anymore", a track from her second studio album, Like a Virgin (1984), for inclusion on what would eventually become Something to Remember.[17] Madonna decided to include two soundtrack singles that were not on any of her albums: "This Used to Be My Playground" and "I'll Remember"—from A League of Their Own (1992) and With Honors (1994), respectively. Something to Remember also featured "Crazy for You" from Vision Quest (1985); "Live to Tell" from True Blue (1986); "Oh Father" from Like a Prayer (1989); "Something to Remember" from I'm Breathless (1990); "Rain" from Erotica (1992); and "Take a Bow" and "Forbidden Love" from Bedtime Stories (1994).[18]
For the album's new material, Madonna chose to collaborate with producer David Foster, who previously worked with acts such as Barbra Streisand, Al Jarreau, and Earth, Wind & Fire.[19] Foster was surprised to learn that Madonna wanted to work with him, as he felt his music was not "hip enough" for her. Soon after getting acquainted over dinner, the two began recording songs at his studio in Malibu, California.[20] Their recording session resulted in two new songs for Something to Remember: "You'll See" and "One More Chance".[21] Foster believed that the tracks were not particularly impressive.[22] "You'll See" is a ballad with instrumentation from percussion, tremolo guitar, and synthesizers, while its lyrics express independence following the end of a romantic relationship.[23] "One More Chance", supported by acoustic guitar, cello, and synthesizers, is a ballad about attempting to win back a lost lover.[24][25]
Nellee Hooper, with whom Madonna had produced songs on Bedtime Stories (1994), suggested that she work with the trip-hop group Massive Attack to create a track for a tribute album for Marvin Gaye. The group had unsuccessfully tried to collaborate with other artists like Chaka Khan, who declined. After Madonna agreed to Hooper's suggestion to collaborate with Massive Attack, the band first sent her the music for the song. Robert Del Naja, a member of Massive Attack, later traveled to New York with Hooper, where they spent two days working in the studio.[26][27] Their collaborations led to "I Want You", which features a hip-hop drum beat, strings, and layered instrumentation. Its lyrics see Madonna trying to win back a lost love. The compilation ends with an orchestral version of the song, which replaces the original rhythm section with gradually building strings, harp, and brass.[28] Only the original version appeared on Inner City Blues: The Music of Marvin Gaye.[29][note 2]
Artwork and release
[edit source]
The artwork is taken from a July 13-14, 1995 photoshoot with photographer Mario Testino. The photoshoot took place in a studio in Milan, where Madonna modelled Versace clothes for their upcoming Fall/Winter campaign. Other pictures from the shoot would appear in magazines, such as Vanity Fair, NME and Vogue Italia.[30] The packaging included with the release showed Madonna looking "deliciously cosmopolitan" as she wore a tight-fit white cocktail attire, while the back cover artwork is predominantly more playful.[31] The front cover artwork presented Madonna leaning against a wall with an expression of "romantic loss or absorption."[32] Designed as the Madonna album which would appeal to a larger audience in contrast to her previous records, Bedtime Stories and Erotica, the booklet featured red roses inside and a golden yellow flower on the back cover.[32] According to The Guardian writer Caroline Sullivan who believed that Madonna removed her nose ring for the cover shot indicated she "wants the album to be taken on its own merits."[33] In 2013, the artwork was dubbed as one of the "20 Most Fashionable Album Covers Ever" by the Dutch edition of Elle magazine.[34] The title of the album derives from her 1990 song of the same name since it had received little attention during the release of its original album, I'm Breathless.[35]
Something to Remember was released in some European countries on November 3, 1995.[36][37][38] In Madonna's native country, the album was released on November 7, 1995.[39] In Japan, the album was released under the title Best of Madonna: Ballad Collection on November 10, 1995, containing her 1986 song "La Isla Bonita" as a bonus track.[40] "La Isla Bonita" was re-released three months prior the compilation as a double A-side record with "Human Nature", the final single from Bedtime Stories. Receiving gold certification from the Recording Industry Association of Japan (RIAJ), the song was added to Something to Remember track listing in the hope of boosting the album sales in the region.[41] In Latin America, the album included the bonus track "Verás", the Spanish version of "You'll See".[42] In 2001, WEA Records released a box set of Something to Remember and The Immaculate Collection to coincide with the release of Madonna's second greatest hits package, GHV2.[43]
Singles
[edit source]"I Want You" was released as a promotional single from the album on October 2, 1995. It was originally intended as the album's first single, but cancelled due to contract problems between Madonna's label and Motown Records, the copyright owner of the song.[35] The music video for the song was directed by Earle Sebastian and was nominated for the MTV Amour category at the MTV Europe Music Awards 1996.[44]
"You'll See" was released as the album's lead single on October 23, 1995.[45] The song reached the top five position in Austria, Canada, Finland, Italy and the United Kingdom.[46] The single managed to peak at number six on the Billboard Hot 100, making Madonna the third act in history (after Aretha Franklin and Marvin Gaye) to have a hit peak at each position from one to ten on the chart.[47] An accompanying music video was directed by Michael Haussman as a sequel to Madonna's previous music video for "Take a Bow".[48]
"Oh Father" was released as the second single for European market on December 21, 1995. It became a top ten hit in Finland and achieved top 20 placement in the United Kingdom, but charted weakly in the rest of the continent, resulting a low peak of number 62 on the European Hot 100 Singles chart.[49]
"One More Chance" received a limited single release in Australia and several European countries on March 7, 1996. The song peaked inside the top 40 in Australia, Finland, Sweden and the United Kingdom.
"Love Don't Live Here Anymore" was released as the final single from the album on March 19, 1996. The song received poor commercial reception, peaking at number 78 on the Billboard Hot 100, while reaching the top forty in Australia and Canada.[50][51] Remixes were also commissioned for the song and on June 8, 1996 it was one of the breakout tracks for the Hot Dance Music/Club Play chart reaching number 16.[52] Its accompanying music video was directed in by Jean-Baptiste Mondino at the Confitería El Molino in Buenos Aires, Argentina, during Madonna's day off from filming Evita. It was shot in a single frame portraying Madonna in an empty suite of an abandoned hotel.[48]
Critical reception
[edit source]| Initial reviews (in 1995/1996) | |
|---|---|
| Review scores | |
| Source | Rating |
| Entertainment Weekly | A[53] |
| The Guardian | |
| The Post and Courier | |
| San Pedro News-Pilot | |
| Smash Hits | |
| USA Today | |
| Retrospective reviews and music guides (after 1995/1996) | |
|---|---|
| Review scores | |
| Source | Rating |
| AllMusic | |
| Christgau's Consumer Guide | |
| Encyclopedia of Popular Music | |
| Jam! | |
| MusicHound Rock | |
| The Rolling Stone Album Guide | |
| Tom Hull – on the Web | B[65] |
| The Virgin Encyclopedia of Nineties Music | |
Something to Remember was met with critical acclaim.[67] Stephen Thomas Erlewine from AllMusic wrote that "Throughout the album, Madonna proves that she's a terrific singer whose voice has improved over the years." He added, "Not one of the tracks is second-rate, and the best songs on Something to Remember rank among the best pop music of the '80s and '90s".[59] Neil Strauss of The New York Times felt all the songs on the album "cohere better than a greatest-hits package would" and "they tell a story of their own, of a voice and attitude that have hardened in the dozen years that have elapsed between the bubble-gum-chomping innocence of 1983's 'Crazy for You' and the tortured torch singing of the new 'You'll See'."[68] Ken Tucker of Entertainment Weekly commented: "By placing her greatest-hit ballads ('Live to Tell', 'Crazy for You', 'Take a Bow', etc.) in a new context—that is, separated from her more attention-getting dance music—Madonna reinvigorates them, which is just what a good best-of compilation is supposed to do. The three new songs 'You'll See', 'One More Chance', and a wonderfully eerie version of Marvin Gaye's 'I Want You' are consumer enticements that just add to the allure."[53] Writing for About.com, Bill Lamb called it "another outstanding greatest hits collection" from Madonna's discography.[69]
According to Greg Forman from The Post and Courier, the album shows that "There's an important difference between having a great voice and being a great singer. Whitney Houston or Mariah Carey can sing circles (and octaves) around the most famous woman on the planet, but Madonna, through sheer force of personality sells her slow numbers with a panache few modern singers can match."[55] John Wirt from The Advocate said that the album shows that Madonna "can craft slow songs as effectively as she knocks out dance numbers" and found "an unaffected simplicity and sincerity" in her ballad singing.[70] Writing for The Baltimore Sun, J. D. Considine believed that with the album "Madonna not only reminds us that there's more to her music than dance tunes, but also demonstrates that her voice is nowhere near as thin and chirpy as her detractors imagine." He further explained, "one of the most amazing things about the album is how sultry and assured she sounds ... The Madonna on display here not only has a richer, deeper voice than you imagined, but more interpretive insight as well."[71]
Alwyn W. Turner in the book The Rough Guide to Rock stated that the album features "the best of her slow pieces" displaying that "Madonna had evolved over the years into an excellent ballad singer."[72] Edna Gundersen from USA Today said that the album "flaunts the less sizzling, though equally galvanizing, highlights of her career." She was mostly impressed with Madonna's vocal and emotional power on the track "You'll See" which became "the clearest proof that the ambitious blonde is more singer than celebrity."[58] J. Randy Taraborrelli in his book Madonna: An Intimate Biography picked the David Foster produced tracks as standouts, saying "It was interesting that, with all of his [David Foster] exciting musical ability from which to draw, he and Madonna would come up with two of the most sombre songs she has ever recorded—but such is the excitement of collaboration; one never knows what will come of it."[35] Tirzah Agassi from The Jerusalem Post said the arrangements on the new songs "show a great leap in sophistication" and felt that Madonna "has invested much in improving her vocal technique."[73] The Village Voice critic Robert Christgau dismissed the album with a "dud" rating,[60] which indicates "a bad record whose details rarely merit further thought".[74]
Commercial performance
[edit source]
In the United States, Something to Remember debuted and peaked at number six on the Billboard 200 chart on the issue date of November 25, 1995, with 113,000 copies.[75][76] It stayed on the chart for 34 weeks and was certified triple platinum by the Recording Industry Association of America (RIAA) for shipments of three million units.[77] According to Nielsen SoundScan, the album has sold 2,102,000 copies as of December 2016.[78] This figure does not include sales from clubs, such as BMG Music Club where the album sold an additional 179,000 copies.[79] In Canada, the album entered the RPM Albums Chart at number two on November 20, 1995.[80] The album held the top ten position for eight consecutive weeks before descending to number 12 on January 29, 1996.[81] It stayed on the chart for 26 weeks, and was certified double platinum by the Music Canada (MC) for shipments of 200,000 copies.[82]
In the United Kingdom, Something to Remember debuted at number three on the UK Albums Chart on November 18, 1995. It dropped to number four in its second and third week, spending twelve consecutive weeks in the top ten before falling to number 11 on February 2, 1996.[83] The album was certified triple platinum by the British Phonographic Industry (BPI) for shipments of 900,000 copies.[84] In Germany, the album reached number two on the Media Control Charts for two weeks and was certified platinum by the Bundesverband Musikindustrie (BVMI) for shipping 500,000 copies.[85][86] The album also reached the top ten of the charts in other European countries and peaked at number one in Austria, Finland and Italy, where it shipped more than 500,000 copies according to the Federazione Industria Musicale Italiana (FIMI).[87][88] Its commercial success in the continent allowed the album to peak at number three on the European Top 100 Albums chart.[89] It was certified triple platinum by the International Federation of the Phonographic Industry (IFPI) for selling over three million copies across Europe.[90]
The album was also well received commercially in Asia-Pacific territories. In Japan, the album peaked at number nine on the Oricon Albums Chart and was certified double platinum by the Recording Industry Association of Japan (RIAJ) for shipping 400,000 copies.[40][91] In Australia, the album debuted at number two on November 19, 1995, and topped the record chart the following week.[87] It stayed on the top 50 for 19 weeks and received quadruple platinum award from the Australian Recording Industry Association (ARIA) for shipments of 280,000 copies.[92] It also became a top-ten album in New Zealand, peaking at number eight, and was certified platinum by the Recorded Music NZ (RMNZ) for shipments of 15,000 copies.[93] Overall, the album has sold more than ten million copies worldwide.[94]
Legacy
[edit source]According to Billboard, Something to Remember was a precursor to and leading example in the trend of releasing compilations of ballads. Its influence was clear in subsequent albums such as If We Fall in Love Tonight by Rod Stewart.[95] Writing for Metro Silicon Valley, critic Gina Arnold deemed the release a "triumph", labeling it a "rare collection that has both a theme—ballads—and a measure of inspiration". She further praised her cohesive management of compilation releases up to that point, saying Madonna "is not the artist who will simply slap a bunch of hits together".[96] Author Mark Bego also praised its theme, calling it "a beautiful album, graced with a strong unifying feeling in the ballad realm".[97]
Timothy White from Billboard ranked Something to Remember as the fifth best album of 1995.[98] In a poll conducted by Jornal do Brasil, it ended as the best foreign album of 1996 and Madonna as the best female foreign artist.[99] American magazine Hits included the compilation in their 1996 list of the "Top 50 Albums of the Year".[100] By February 1996, Something to Remember was the third best-selling folio from Warner Bros. Publications.[101]
Track listing
[edit source]| No. | Title | Writer(s) | Original album | Length |
|---|---|---|---|---|
| 1. | "I Want You" (with Massive Attack) | New track produced by Nellee Hooper | 6:23 | |
| 2. | "I'll Remember" (Theme from the Motion Picture With Honors) |
| With Honors (1994) | 4:22 |
| 3. | "Take a Bow" |
| Bedtime Stories (1994) | 5:21 |
| 4. | "You'll See" |
| New track produced by Madonna and Foster | 4:38 |
| 5. | "Crazy for You" | Vision Quest (1985) | 4:02 | |
| 6. | "This Used to Be My Playground" |
| 1992 standalone single | 5:08 |
| 7. | "Live to Tell" |
| True Blue (1986) | 5:51 |
| 8. | "Love Don't Live Here Anymore" (Remix) | Miles Gregory | Like a Virgin (1984) | 4:53 |
| 9. | "Something to Remember" |
| I'm Breathless (1990) | 5:02 |
| 10. | "Forbidden Love" |
| Bedtime Stories (1994) | 4:08 |
| 11. | "One More Chance" |
| New track produced by Madonna and Foster | 4:27 |
| 12. | "Rain" |
| Erotica (1992) | 5:24 |
| 13. | "Oh Father" |
| Like a Prayer (1989) | 4:57 |
| 14. | "I Want You" (Orchestral) (with Massive Attack) |
| New track produced by Hooper | 6:04 |
| Total length: | 71:08 | |||
| No. | Title | Writer(s) | Original album | Length |
|---|---|---|---|---|
| 15. | "Verás" (Spanish version of "You'll See") |
| New track produced by Madonna and Foster | 4:21 |
| Total length: | 75:29 | |||
| No. | Title | Writer(s) | Original album | Length |
|---|---|---|---|---|
| 15. | "La Isla Bonita" |
| True Blue (1986) | 4:02 |
| Total length: | 75:10 | |||
Personnel
[edit source]Credits adapted from the album's liner notes.[102]
- Madonna – producer, arranger, vocals
- Dean Chamberlain – photography
- Felipe Elgueta – assistant, assistant engineer, mixing assistant
- David Foster – producer, arranger, keyboard
- Simon Franglen – programming, synclavier
- Nellee Hooper – producer
- Suzie Katayama – cello
- Massive Attack – guest artist
- Rob Mounsey – arranger
- Jan Mullaney – keyboards
- Dean Parks – acoustic guitar
- Dave Reitzas – remix producer, engineer, mixing
- Ronnie Rivera – assistant, assistant engineer, mixing assistant
- Greg Ross – art direction, design
- Mario Testino – photography
- Michael Thompson – electric guitar
- Michael Hart Thompson – electric guitar
Charts
[edit source]
Weekly charts[edit source]
|
Year-end charts[edit source]
|
Certifications and sales
[edit source]| Region | Certification | Certified units/sales |
|---|---|---|
| Argentina (CAPIF)[144] | 2× Platinum | 120,000^ |
| Australia (ARIA)[92] | 4× Platinum | 280,000^ |
| Austria (IFPI Austria)[145] | Platinum | 50,000* |
| Belgium (BRMA)[146] | Gold | 25,000* |
| Brazil (Pro-Música Brasil)[147] [note 3] |
2× Gold | 200,000* |
| Canada (Music Canada)[82] | 2× Platinum | 200,000^ |
| Finland (Musiikkituottajat)[148] | 2× Platinum | 93,043[148] |
| France (SNEP)[149] | 2× Gold | 200,000* |
| Germany (BVMI)[86] | Platinum | 500,000^ |
| Israel | — | 70,000[150] |
| Italy | — | 560,000[151] |
| Japan (RIAJ)[152] | 2× Platinum | 400,000^ |
| Netherlands (NVPI)[153] | Platinum | 100,000^ |
| New Zealand (RMNZ)[93] | Platinum | 15,000^ |
| Poland (ZPAV)[154] | Gold | 50,000* |
| South Africa (RISA)[155] | Gold | 25,000[155] |
| Spain (Promusicae)[121] | Gold | 50,000^ |
| Sweden (GLF)[156] | Platinum | 100,000^ |
| Switzerland (IFPI Switzerland)[157] | Platinum | 50,000^ |
| Taiwan (RIT)[158] | 12× Platinum | 500,000[159] |
| United Kingdom (BPI)[84] | 3× Platinum | 900,000^ |
| United States (RIAA)[77] | 3× Platinum | 2,281,000[78][79] |
| Summaries | ||
| Europe (IFPI)[90] | 3× Platinum | 3,000,000* |
| Worldwide | — | 10,000,000[94] |
|
* Sales figures based on certification alone. | ||
Release history
[edit source]| Country | Date | Format | Label |
|---|---|---|---|
| France[36][160] | November 3, 1995 | CD, cassette | Maverick Records, Warner Bros. Records |
| Germany[37][161] | |||
| Italy[38] | CD | ||
| United Kingdom[162] | November 6, 1995 | ||
| United States[39][163] | November 7, 1995 | CD, cassette | |
| Japan[40] | November 10, 1995 | CD | |
| Germany[164] | September 27, 2013 | LP | Rhino Entertainment, Warner Bros. Records |
| United Kingdom[165] | September 30, 2013 |
See also
[edit source]Notes
[edit source]References
[edit source]Citations
[edit source]- ↑ Taraborrelli 2002, pp. 220, 225–226.
- ↑ Taraborrelli 2002, pp. 230–235.
- ↑ Lynch, Joe (October 20, 2017). "Madonna's Erotica Turns 25: An Oral History of the Most Controversial '90s Pop Album". Billboard. Retrieved August 18, 2026.
- ↑ Walters, Barry (October 19, 2017). "Why Madonna's Masterpiece 'Erotica,' Defiant 'Sex' Book Still Matter". Rolling Stone. Retrieved August 18, 2026.
- ↑ Vicki, Goldberg (October 25, 1992). "Photography View; Madonna's Book: Sex, and Not Like a Virgin". The New York Times. pp. 1–2. Archived from the original on May 24, 2013. Retrieved December 14, 2012.
- ↑ Catlin, Roger (October 21, 1992). "You can tell this book by its cover Sex' is out a day after Madonna's new album". Hartford Courant. Archived from the original on November 5, 2012. Retrieved September 18, 2011.
- ↑ "Sex Book: It Is Merely An Investment". The Morning Call. November 5, 1992. Archived from the original on June 6, 2012. Retrieved September 18, 2011.
- ↑ Kakutani, Michiko (October 21, 1992). "Books of The Times; Madonna Writes; Academics Explore Her Erotic Semiotics". The New York Times. Archived from the original on February 3, 2012. Retrieved September 19, 2011.
- ↑ Giselle, Benatar (November 6, 1992). "Sex & Money: Inside the making of Madonna's wildly successful erotic fantasy book". Entertainment Weekly. pp. 1–3. Archived from the original on November 6, 2013. Retrieved November 30, 2012.
- ↑ Taraborrelli 2002, pp. 229–230.
- ↑ Bego 2000, pp. 289–290.
- ↑ Bego 2000, pp. 290–291; Taraborrelli 2002, pp. 232–235.
- ↑ Taraborrelli 2002, pp. 232–235, 241.
- ↑ Piatkowski, Peter (November 12, 2021). "25 Years Ago Madonna Sought Respectability and Validation with Film Biography Evita". PopMatters. Retrieved August 19, 2026.
- ↑ Taraborrelli 2002, p. 241.
- ↑ Cairo, Raul (August 19, 1995). "Short Takes" (PDF). Music & Media. p. 15. Archived (PDF) from the original on February 14, 2021. Retrieved February 3, 2021.
- ↑ Rooksby 2004, p. 85.
- ↑ Taraborrelli 2002, pp. 242–243; Guilbert 2002, pp. 215–216.
- ↑ Taraborrelli 2002, p. 253.
- ↑ Foster 2009, p. 130.
- ↑ Taraborrelli 2002, p. 242.
- ↑ Foster 2009, p. 131.
- ↑ Rooksby 2004, p. 86.
- ↑ Rooksby 2004, pp. 87–88.
- 1 2 Something to Remember (Liner notes). Madonna. Maverick Records, Warner Bros. Records. 1996. 9 46100-2.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ↑ Meldrum, Molly (June 1998). "Interview with Massive Attack". Channel V Australia. Archived from the original on November 21, 2008. Retrieved March 10, 2014.
- ↑ McLean, Craig (November 1995). "Unique 3 from". The Face. Emap International Limited. Archived from the original on November 21, 2008. Retrieved March 10, 2014.
- ↑ Rooksby 2004, pp. 85, 88.
- ↑ Inner City Blues (The Music Of Marvin Gaye) (Liner notes). Motown Records. 1995. 530 452-2.
- ↑ "Voguepedia: Mario Testino". Vogue. Archived from the original on February 23, 2012. Retrieved March 8, 2014.
- ↑ Taraborrelli 2002, p. 252
- 1 2 Rooksby 2004, p. 85
- ↑ Sullivan, Caroline (November 10, 1995). "Pop CD Releases: Madonna 'Something to Remember' (Maverick)". The Guardian. p. T.016. ISSN 0261-3077.
- ↑ "Zien! De 20 meest mödische albumcovers ever". Elle. Archived from the original on March 11, 2014. Retrieved March 6, 2014.
- 1 2 3 Taraborrelli 2002, p. 253
- 1 2 "Something to Remember (CD)" (in French). Archived from the original on December 17, 2019. Retrieved March 10, 2014.
- 1 2 "Something to Remember (CD)". Amazon Germany (in German). Archived from the original on December 17, 2019. Retrieved March 10, 2014.
- 1 2 "Something to Remember (CD)" (in Italian). Archived from the original on May 15, 2020. Retrieved March 10, 2014.
- 1 2 "Something to Remember". Amazon. Archived from the original on May 15, 2020. Retrieved March 7, 2014.
- 1 2 3 4 5 ベスト・オブ・マドンナ~バラード・コレクション~ (in Japanese). Oricon. November 10, 1995. Archived from the original on March 16, 2014. Retrieved July 10, 2010.
- ↑ "The Record – ラ・イスラ・ボニータ" (PDF) (in Japanese). Recording Industry Association of Japan. December 1995. Archived from the original on November 2, 2013. Retrieved March 9, 2014.
- 1 2 "CD Madonna – Something to Remember". Submarino.com.br. Archived from the original on July 19, 2013. Retrieved March 10, 2013.
- ↑ "Immaculate Collection/Something to Remember". AllMusic. Rovi Corporation. Archived from the original on March 30, 2013. Retrieved March 10, 2013.
- ↑ "MTV Europe Music Awards Winners 1994–2000". Billboard. Vol. 113, no. 45. November 10, 2001. p. 50. ISSN 0006-2510.
- ↑ "New Releases: Singles". Music Week. October 21, 1995. p. 35.
- ↑ "ultratop.be – Madonna – You'll See" (in Dutch). Ultratop 50. Hung Medien. Archived from the original on November 9, 2012. Retrieved May 4, 2011.
- ↑ Whitburn 2010, p. 264
- 1 2 Morton 2002, p. 332
- ↑ "Eurochart Hot 100". Music & Media. 11 (3). January 20, 1996. OCLC 29800226.
- ↑ Bronson, Fred (October 25, 2003). "Madonna Hits 50 Songs". Billboard. Vol. 115, no. 43. ISSN 0006-2510. Archived from the original on June 2, 2013. Retrieved September 21, 2010.
- ↑ "Madonna – Love Don't Live Here Anymore (Remix) (Song)". Ultratop 50. Hung Medien. Archived from the original on March 4, 2016. Retrieved September 21, 2010.
- ↑ Flick, Larry (June 8, 1996). "Reliving Studio 54's Glory Days". Billboard. Vol. 108, no. 23. ISSN 0006-2510. Retrieved September 21, 2010.
- 1 2 Tucker, Ken (November 24, 1995). "Something to Remember". Entertainment Weekly. Archived from the original on December 21, 2014. Retrieved August 8, 2011.
- ↑ Sullivan, Caroline (November 10, 1995). "Pop CD Releases". The Guardian: 44. Archived from the original on January 5, 2025. Retrieved December 6, 2024.
- 1 2 Forman, Greg (November 23, 1995). "Is there life after thirty for today's female pop stars?". The Post and Courier. Vol. 2482, no. 38. p. 31.
- ↑ "Madonna reveals her 'working girl' side". San Pedro News-Pilot. p. 41. Archived from the original on August 7, 2023. Retrieved August 7, 2023.
- ↑ Paramor, Jordan (November 22, 1995). "Albums: Best New Album". Smash Hits. p. 57. Archived from the original on December 5, 2024. Retrieved December 1, 2024.
- 1 2 Gundersen, Edna (October 17, 1996). "Pop/Rock Album Review: Something to Remember". USA Today. Archived from the original on March 8, 2014. Retrieved March 7, 2014.
- 1 2 Erlewine, Stephen Thomas. "Something to Remember > Review". AllMusic. Archived from the original on May 15, 2011. Retrieved August 8, 2011.
- 1 2 Christgau, Robert (2000). "M". Christgau's Consumer Guide: Albums of the '90s. St. Martin's Griffin. ISBN 0-312-24560-2. Archived from the original on June 11, 2020. Retrieved August 18, 2020 – via robertchristgau.com.
- ↑ Larkin, Colin (2006). Encyclopedia of Popular Music (4th ed.). Muze. p. 427. ISBN 0-19-531373-9.
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Madonna con 'Something to remember' ha toccato le 560mila.
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12× Platinum (240,000 units) as of February 1996.
- "景氣黃藍燈,瑪丹娜情難忘漂亮紅燈,實實在在不灌水,銷售成績已破12白金". 世界電影雜誌 (in Chinese). February 1996. p. 54. Retrieved May 4, 2026 – via Google Books.
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- ↑ "Something to Remember (Cassette)" (in French). Archived from the original on December 17, 2019. Retrieved March 10, 2014.
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- ↑ "Something to Remember (Vinyl LP)". Amazon Germany (in German). Archived from the original on March 11, 2014. Retrieved March 10, 2014.
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Book sources
[edit source]- Bego, Mark (2000). Madonna: Blonde Ambition. Cooper Square Press. ISBN 978-0-815-41051-5.
- Foster, David (2009). Hitman: Forty Years Making Music, Topping the Charts, and Winning Grammys. Simon & Schuster. ISBN 978-1-4391-0306-7.
- Guilbert, Georges-Claude (2002). Madonna as Postmodern Myth. McFarland & Company. ISBN 978-0-7864-1408-6.
- Morton, Andrew (2002). Madonna. Macmillan Publishers. ISBN 978-0-312-98310-9.
- O'Dair, Barbara (1997). Trouble Girls: The Rolling Stone Book of Women in Rock. Random House. ISBN 978-0-679-76874-6.
- Rooksby, Rikky (2004). The Complete Guide to the Music of Madonna. Omnibus Press. ISBN 978-0-7119-9883-4.
- Salaverri, Fernando (2005). Sólo éxitos: año a año, 1959–2002. Spain: Fundación Autor-SGAE. ISBN 978-84-8048-639-2.
- Taraborrelli, Randy J. (2002). Madonna: An Intimate Biography. Simon & Schuster. ISBN 978-0-7432-2709-4.
- Whitburn, Joel (2010). Joel Whitburn's Top Pop Singles, 1955–2008. Record Research. ISBN 978-0-89820-180-2.
External links
[edit source]- Official website
- Something to Remember at Discogs (list of releases)
- Something to Remember playlist on YouTube