ื™ืขืœ ืคืœื“ืžืŸ

<ื‘ื”ื›ื ื”>

Yael S. Feldman

    ื™ืขืœ ืคืœื“ืžืŸ (ืœื‘ื™ืช ืงืจืŸึพืื•ืจ), ื—ื•ืงืจืช ืกืคืจื•ืช, ื ื•ืœื“ื” ื‘ื™ืฉืจืืœ ื•ืžืชื’ื•ืจืจืช ืฉื ื™ื ืจื‘ื•ืช ื‘ืืจืฆื•ืช ื”ื‘ืจื™ืช, ืฉื ื”ื™ื ืžื›ื”ื ืช ื›ืคืจื•ืคืกื•ืจ ืœืกืคืจื•ืช ืขื‘ืจื™ืช ื•ื”ืฉื•ื•ืืชื™ืช ื‘ืื•ื ื™ื‘ืจืกื™ื˜ืช ื ื™ื• ื™ื•ืจืง (NYU) ื•ื›ืžื•ืคืงื“ืช ืขืœ ื”ืงืชื“ืจื” ืขืดืฉ ืื‘ืจื”ื ื›ืดืฅ ืœืชืจื‘ื•ืช ืขื‘ืจื™ืช ื‘ืžื—ืœืงื” ืœืœื™ืžื•ื“ื™ ื”ื™ื”ื“ื•ืช. ืžืชื—ื•ืžื™ ื”ืžื—ืงืจ ื•ื”ื”ื•ืจืื” ืฉืœื”: ืกืคืจื•ืช ืขื‘ืจื™ืช ื•ื”ืฉื•ื•ืืชื™ืช, ื”ืžืงืจื ื›ืกืคืจื•ืช, ืœื™ืžื•ื“ื™ ืžื’ื“ืจ, ืชื•ืจืช ื”ืกืคืจื•ืช ื•ื’ื™ืฉื•ืช ืคืกื™ื›ื•ืื ืœื™ื˜ื™ื•ืช ืœื—ืงืจ ื”ืกืคืจื•ืช. ื”ื™ื ื‘ื•ื’ืจืช ื”ืชื™ื›ื•ืŸ ื”ืขื™ืจื•ื ื™ ืดืื•ื”ืœึพืฉืืด ื‘ืจืžืชึพื’ืŸ ื•ื”ืกืžื™ื ืจ ืœืžื•ืจื™ื ืดื’ื‘ืขืช ื”ืฉืœื•ืฉื”ืด. ื”ืฉืœื™ืžื” ืืช ืœื™ืžื•ื“ื™ ื”ืชื•ืืจ ื”ืจืืฉื•ืŸ ื‘ืื•ื ื™ื‘ืจืกื™ื˜ืช ืชืœ ืื‘ื™ื‘, ืชื•ืืจ ืฉื ื™ ื‘ื”ื™ื‘ืจื• ืงื•ืœื’ืณ ื‘ื‘ื•ืกื˜ื•ืŸ, ื•ืฉืœื™ืฉื™ ื‘ืื•ื ื™ื‘ืจืกื™ื˜ืช ืงื•ืœื•ืžื‘ื™ื” ื‘ื ื™ื• ื™ื•ืจืง. ืœืื—ืจ ืงื‘ืœืช ื”ืชื•ืืจ ื”ืฉืœื™ืฉื™ ื”ืชืžื—ืชื” ื‘ืชื™ืื•ืจื™ื” ืคืกื™ื›ื•ืื ืœื™ื˜ื™ืช ื‘ืžืจื›ื– ืœืœื™ืžื•ื“ื™ ืคืกื™ื›ื•ืื ืœื™ื–ื” ื‘ืื•ื ื™ื‘ืจืกื™ื˜ืช ืงื•ืœื•ืžื‘ื™ื”. ืœื™ืžื•ื“ื™ื ืืœื” ืขื™ืฆื‘ื• ืืช ื”ืชื•ื‘ื ื•ืช ื”ืกืคืจื•ืชื™ื•ืช ื”ืžื™ื™ื—ื“ื•ืช ืืช ืžื—ืงืจื™ื”. ืฉื™ืžืฉื” ื›ืขื•ืจื›ืช ื•ื›ืขื•ืจื›ืช ืฉื•ืชืคื” ืฉืœ ื›ืชื‘ื™ ืขืช ืืžืจื™ืงื ื™ื™ื ืœืขื ื™ื™ื ื™ ืกืคืจื•ืช ื•ืชืจื‘ื•ืช, ื•ืžืฉืžืฉืช ื›ื™ื•ืขืฆืช ื•ื›ื—ื‘ืจืช ืžืขืจื›ืช ืฉืœ ื›ืžื” ื›ืชื‘ื™ ืขืช ื”ืขื•ืกืงื™ื ื‘ืกืคืจื•ืช, ื‘ืชืจื‘ื•ืช ื•ื‘ืžื’ื“ืจ.
    ืคื™ืจืกืžื” ืฉื™ืฉื” ืกืคืจื™ ืžื—ืงืจ, ื‘ืื ื’ืœื™ืช ื•ื‘ืขื‘ืจื™ืช, ื•ืขืฉืจื•ืช ืžืืžืจื™ื ื•ื“ื‘ืจื™ ื‘ื™ืงื•ืจืช ื”ื‘ื•ื—ื ื™ื ืืช ื”ืกืคืจื•ืช ื”ืขื‘ืจื™ืช ื”ื—ื“ืฉื” ื•ื”ืงืฉืจื™ื” ืžื”ื™ื‘ื˜ื™ื ืœืฉื•ื ื™ื™ื, ืคืกื™ื›ื•ืœื•ื’ื™ื™ื, ืžื’ื“ืจื™ื™ื ื•ืชืจื‘ื•ืชื™ื™ื. ื”ื™ืชื” ืžื”ืžื•ืขืžื“ื™ื ื”ืกื•ืคื™ื™ื ืฉืœ ืคืจืกื™ ืกืคืจื•ืช ื—ืฉื•ื‘ื™ื ื‘ืืจืฆื•ืช ื”ื‘ืจื™ืช, ื•ื–ื›ืชื” ื‘ืžืขื ืงื™ ืžื—ืงืจ ื•ื‘ื—ื‘ืจื•ืช ื‘ืžื•ืกื“ื•ืช ืืงื“ืžื™ื™ื ื™ื•ืงืจืชื™ื™ื ื‘ืืจืฆื•ืช ื”ื‘ืจื™ืช, ื‘ืื ื’ืœื™ื” ื•ื‘ื™ืฉืจืืœ.
    ืกืคืจื” ื”ืจืืฉื•ืŸ, Modernism and Cultural Transfer: Gabriel Preil and the Tradition of Jewish Literary Bilingualism, ืคื•ืจืกื ื‘ืืจืฆื•ืช ื”ื‘ืจื™ืช ื‘-1986 ื•ื ื—ืฉื‘ ื›ืื—ื“ ืžืฆื™ื•ื ื™ ื”ื“ืจืš ื‘ื”ืชืคืชื—ื•ืช ื‘ื™ืงื•ืจืช ื”ืกืคืจื•ืช ื”ืขื‘ืจื™ืช ื‘ืฉืคื” ื”ืื ื’ืœื™ืช. ื–ื”ื• ืกืคืจ ื™ื™ื—ื•ื“ื™ ืฉื‘ื•ื—ืŸ ืืช ื”ื‘ืขื™ื•ืช ื”ืกืคืจื•ืชื™ื•ืช, ื”ื”ื™ืกื˜ื•ืจื™ื•ืช ื•ื”ืคืกื™ื›ื•ืœื•ื’ื™ื•ืช ืฉืœ ื’ื‘ืจื™ืืœ ืคืจื™ื™ืœ, ืžืฉื•ืจืจ ื™ื”ื•ื“ื™ ื™ืœื™ื“ ืื™ืจื•ืคื” ืฉื”ื—ืœ ืืช ื“ืจื›ื• ื”ืกืคืจื•ืชื™ืช ื‘ื™ื™ื“ื™ืฉ ื•ืขื‘ืจ ืœื›ืชื•ื‘ ืฉื™ืจื” ืขื‘ืจื™ืช ื‘ืืจืฅ ื“ื•ื‘ืจืช ืื ื’ืœื™ืช. ืกืคืจื” ื”ืฉื ื™, ื‘ื™ืŸ ื”ืงื˜ื‘ื™ื ืœืงื• ื”ืžืฉื•ื•ื” โ€“ ืฉื™ืจืช ื™ืžื™ ื”ื‘ื™ื ื™ื™ื: ืชื‘ื ื™ื•ืช ืกืžืื ื˜ื™ื•ืช ื‘ืฉื™ืจ ื”ืžื•ืจื›ื‘, ืคื•ืจืกื ื‘-1987 ื‘ืชืœ ืื‘ื™ื‘. ื”ืกืคืจ, ืฉื›ืชื•ื‘ ืขื‘ื•ื“ืช ื”ื’ืžืจ ืฉืœื” ืœืชื•ืืจ ืฉื ื™, ืžืฆื™ืข ืงืจื™ืื” ื—ื“ืฉื” ื‘ืฉื™ืจื™ื• ืฉืœ ืจืณ ืžืฉื” ืื‘ืŸ ืขื–ืจื, ืชื•ืš ืฉื™ืžื•ืฉ ื‘ื‘ื™ืงื•ืจืช ื”ื—ื“ืฉื”.
    ืฉื ื™ ืกืคืจื™ื” ื”ื‘ืื™ื ืžืกืžื ื™ื ืชืคื ื™ื•ืช ื‘ืชื—ื•ืžื™ ื”ืžื—ืงืจ ืฉืœื”. ืกืคืจื” No Room of Their Own: Gender and Nation in Israeli Womenโ€™s Fiction โ€“ ืฉื™ืฆื ืœืื•ืจ ื‘ืืจืฆื•ืช ื”ื‘ืจื™ืช ื‘-1999, ืคื•ื ื” ืžืžื—ืงืจ ื”ืฉื™ืจื” ืืœ ื”ืกื™ืคื•ืจืช ื•ืžืŸ ื”ื’ื‘ืจื™ื ืืœ ื”ื ืฉื™ื. ื”ื•ื ืžื”ื•ื•ื” ืžื—ืงืจ ื—ืœื•ืฆื™ ื‘ื”ื™ืงืคื• ืขืœ ื”ืชื’ื‘ืฉื•ืชื” ื”ืžื”ื•ืกืกืช ื•ื”ืื˜ื™ืช ืฉืœ ืกื™ืคื•ืจืช ื”ื ืฉื™ื ื”ืคืžื™ื ื™ืกื˜ื™ืช ื‘ืืจืฅ ื‘ืฉื ื•ืช ื”ืฉื‘ืขื™ื ื•ื”ืฉืžื•ื ื™ื. ื”ืกืคืจ ื—ื•ืฉืฃ ืืช ื”ืงื•ื ืคืœื™ืงื˜ ื”ื™ืฉืจืืœื™ ื‘ื™ืŸ ืžื’ื“ืจ ืœืœืื•ืžื™ื•ืช ืฉื”ืฉื”ื” ืกื™ืคื•ืจืช ื–ื•, ื•ืืช ื”ืžื•ื“ืœื™ื ื”ืžืขืจื‘ื™ื™ื ืฉืกื™ื™ืขื• ื‘ืขื™ืฆื•ื‘ื” ื”ืžื™ื•ื—ื“. ืžื”ื“ื•ืจื” ืขื‘ืจื™ืช ืžืขื•ื“ื›ื ืช ืฉืœ ื”ืกืคืจ, ืœืœื ื—ื“ืจ ืžืฉืœื”ืŸ: ืžื’ื“ืจ ื•ืœืื•ืžื™ื•ืช ื‘ื™ืฆื™ืจืชืŸ ืฉืœ ืกื•ืคืจื•ืช ื™ืฉืจืืœื™ื•ืช (2002), ื–ื™ื›ืชื” ืืช ืคืœื“ืžืŸ ื‘ืคืจืก ืื‘ืจื”ื ืคืจื™ื“ืžืŸ ืœืกืคืจื•ืช ืขื‘ืจื™ืช. ืกืคืจื” (2010) Glory and Agony: Isaacโ€™s Sacrifice and National Narrative ื”ื•ื ืžื—ืงืจ ื”ื‘ื•ื—ืŸ ืืช ื”ืฉื™ืžื•ืฉ ื”ืื•ื‘ืกืกื™ื‘ื™ ืฉืขื•ืฉื” ื”ืกืคืจื•ืช ื”ืขื‘ืจื™ืช ื”ื—ื“ืฉื” ื‘ืกื™ืคื•ืจ ื”ืขืงื“ื” (ื•ื‘ืกื™ืคื•ืจื™ ื”ืงืจื‘ื” ื ื•ืกืคื™ื: ื‘ืช ื™ืคืชื—, ื™ืฉืžืขืืœ, ื™ืฉื•) ื›ืžื•ื˜ื™ื‘ ืืœื™ื ื•ืœืขืชื™ื ืžืขื•ื•ืช ืฉืœ ื”ืงืจื‘ืช ื‘ื ื™ื ืขืœ ืžื–ื‘ื— ื”ืžื•ืœื“ืช ื•ื”ืขื, ืฉื ื™ื–ื•ืŸ ื’ื ืžืŸ ื”ืกืคืจื•ืช ื•ื”ืืžื ื•ืช ื”ื ื•ืฆืจื™ื•ืช. ื‘ื ื•ืกืฃ, ื”ื™ืชื” ืขื•ืจื›ืช ืฉื•ืชืคื” ืฉืœ ืกืคืจ ืžืืžืจื™ื ืขืœ ื”ื•ืจืืช ื”ืชื ืดืš ื›ืกืคืจื•ืช ืžืชื•ืจื’ืžืช, ืฉืจืื” ืื•ืจ ื‘-1989.
    ื‘ื™ืŸ ืขืฉืจื•ืช ื”ืžืืžืจื™ื ืฉืคื™ืจืกืžื” ืžืื– ืฉื ื•ืช ื”ืฉืžื•ื ื™ื, ืจื‘ื™ื ืžืฉืจื˜ื˜ื™ื ืืช ืžืคืช ื”ื“ืจื›ื™ื ืฉื”ื•ื‘ื™ืœื” ืœืกืคืจื™ื”, ืื—ืจื™ื ืขื•ืกืงื™ื ื‘ืขื ื™ื™ื ื™ื ืžื’ื•ื•ื ื™ื ื›ืžื• ื”ืฉื•ืื” ื‘ืกืคืจื•ืช ื•ื‘ื“ืจืžื” ื”ื™ืฉืจืืœื™ืช, ืื• ื ืจื˜ื™ื‘ื™ื ืฆื™ื•ื ื™ื™ื ื•ืคื•ืกื˜ึพืฆื™ื•ื ื™ื™ื ืฉืœ ื”ืžืจื›ื– ื•ื”ืฉื•ืœื™ื™ื ื‘ื™ืฉืจืืœ ืชื•ืš ื‘ื™ืฆื•ืจ ืขืžื“ื” ืฉืžืจื ื™ืช ื•ื‘ืœืชื™ ืžืชืคืฉืจืช ื”ืžื’ื™ื ื” ืขืœ ื”ืฆื™ื•ื ื•ืช ืžืจืืฉื™ืชื”. ืœืื—ืจื•ื ื” ื”ื™ื ืžืชืžืงื“ืช ื‘ืฉื™ื— ื”ืงื•ืจื‘ื ื™ื•ืช ื•ื”ื”ืชื ื’ื“ื•ืช ื‘ืฉื•ืื”. ื‘ื ื•ืกืฃ, ื”ื™ืชื” ืคืœื“ืžืŸ ืฉื ื™ื ืจื‘ื•ืช ืขื•ืจื›ืช ืžื“ื•ืจ ื”ืชืจื‘ื•ืช ื•ื”ืกืคืจื•ืช ืฉืœ ื”ืฉื‘ื•ืขื•ืŸ ื”ืขื‘ืจื™ ื”ื ื™ื•ึพื™ื•ืจืงื™ ื”ื“ื•ืืจ (1985โ€“2002), ื•ื—ื‘ืจืช ื”ืžืขืจื›ืช ืฉืœ ื›ืชื‘ึพื”ืขืช ื”ืืงื“ืžื™ ืœืกืคืจื•ืช ื™ื”ื•ื“ื™ืช Prooftexts (1984โ€“2004).
ื‘ืฉื ืช 1992 ื”ื™ื ื™ื–ืžื” ื•ื”ืงื™ืžื” ืืช ื”ื™ื—ื™ื“ื” ืœืžื—ืงืจ ื”ืกืคืจื•ืช ื”ืขื‘ืจื™ืช ืฉืœ ืืจื’ื•ืŸ ื”ื’ื’ ืœืกืคืจื•ื™ื•ืช ื‘ืืžืจื™ืงื”, ื”-MLA, ื•ืฉื™ืžืฉื” ื™ื•ืฉื‘ืชึพืจืืฉ ืจืืฉื•ื ื” ืฉืœื”.

ื ื›ืชื‘ ืขืœ-ื™ื“ื™ ืฆืคืจื™ืจื” ืœื™ื“ื•ื‘ืกืงื™ึพื›ื”ืŸ ืขื‘ื•ืจ ืœืงืกื™ืงื•ืŸ ื”ืงืฉืจื™ื ืœืกืคืจื•ืช ื™ืฉืจืืœื™ืช 
[ืžืงื•ืจื•ืช ื ื•ืกืคื™ื: ื•ื™ืงื™ืคื“ื™ื”, Wikipedia, The Shalvi/Hyman Encyclopedia of Jewish Women]

ืกืคืจื™ื”:
  • Modernism and cultural transfer : Gabriel Preil and the tradition of Jewish literary bilingualism (Cincinnati : Hebrew Union College Press, 1986)
  • ื‘ื™ืŸ ื”ืงื˜ื‘ื™ื ืœืงื• ื”ืžืฉื•ื•ื” : ืฉื™ืจืช ื™ืžื™ึพื”ื‘ื™ื ื™ื™ื : ืชื›ื ื™ื•ืช ืกืžืื ื˜ื™ื•ืช ื‘ืฉื™ืจ ื”ืžื•ืจื›ื‘ (ืชืœึพืื‘ื™ื‘ : ืคืคื™ืจื•ืก, ืชืฉืžืดื— 1987)
  • No room of their own : gender and nation in Israeli womenืณs fiction (New York : Columbia University Press, 1999)
  • ืœืœื ื—ื“ืจ ืžืฉืœื”ืŸ : ืžื’ื“ืจ ื•ืœืื•ืžื™ื•ืช ื‘ื™ืฆื™ืจืชืŸ ืฉืœ ืกื•ืคืจื•ืช ื™ืฉืจืืœื™ื•ืช (ืชืœ ืื‘ื™ื‘ : ื”ืงื™ื‘ื•ืฅ ื”ืžืื•ื—ื“, 2002) <ืžืื ื’ืœื™ืช โ€“ ืžื™ื›ืœ ืกืคื™ืจ>
  • Glory and agony : Isaacืณs sacrifice and national narrative (Stanford, Calif. : Stanford University Press, 2010)
ืขืจื™ื›ื”:
  • Approaches to teaching the Hebrew Bible as literature in translation (New York : Modern Language Association of America, 1989) <edited with Barry N. Olshen>
ืชืจื’ื•ื:
  • ืžื” ืืžืจื• ื”ื™ืคื ื™ื (ืชืœ ืื‘ื™ื‘ : ื˜ืจืงืœื™ืŸ, 1975) <ืคืชื’ืžื™ื>
ืขืœ ื”ืžื—ื‘ืจืช ื•ื™ืฆื™ืจืชื”:
ืขืœ ืดืœืœื ื—ื“ืจ ืžืฉืœื”ืŸืด
  • ืคื–, ืžื™ืจื™.  ืื™ืŸ ืžืฉื‘ืจ ื‘ืคืžื™ื ื™ื–ื. ื™ืฉ ื‘ื™ืงื•ืจืช.  ื™ื“ื™ืขื•ืช ืื—ืจื•ื ื•ืช, ื”ืžื•ืกืฃ ืœืฉื‘ืช โ€“ ืชืจื‘ื•ืช, ืกืคืจื•ืช, ืืžื ื•ืช, ื™ืดื– ื‘ืื“ืจ ืชืฉืกืดื‘, 1 ื‘ืžืืจืก 2002, ืขืžืณ 26 <ืจื™ืื™ื•ืŸ ืขื ื™ืขืœ ืคืœื“ืžืŸ ื‘ืฆืืช ืกืคืจื” ืœืœื ื—ื“ืจ ืžืฉืœื”ืŸ: ืžื’ื“ืจ ื•ืœืื•ืžื™ื•ืช ื‘ื™ืฆื™ืจืชืŸ ืฉืœ ืกื•ืคืจื•ืช ื™ืฉืจืืœื™ื•ืช>
ืงื™ืฉื•ืจื™ื:
OpenLibrary โ€“ OL1123228A Wikidata โ€“ Q8046628 J9U โ€“ 987007260892205171 NLI โ€“ 000046065 LC โ€“ n 85238572 VIAF โ€“ 3919185
ืขื•ื“ื›ืŸ ืœืื—ืจื•ื ื”: 29 ื‘ืื•ืงื˜ื•ื‘ืจ 2022

ืœืจืืฉ ื”ื“ืฃ

 

 

ืกืคืจื™ ื”ืžื—ื‘ืจืช

 

ืขืœ ื™ืฆื™ืจืชื”

 

ืงื™ืฉื•ืจื™ื

 

 

ืœืจืืฉ ื”ื“ืฃ