ืžืื™ืจ ื•ื™ื–ืœื˜ื™ืจ (1941)

Meir Wieseltier


ื ื•ืจื™ืช ื‘ื•ื›ื•ื™ื™ืฅ.
ืจืฉื•ืช ืžืขื‘ืจ
: ื—ื™ืœื•ืคื™ ื ื•ืจืžื•ืช, ืžืื™ืจ ื•ื™ื–ืœื˜ื™ืจ ื•ืฉื™ืจืช ืฉื ื•ืช ื”ืฉื™ืฉื™ื  / ื ื•ืจื™ืช ื‘ื•ื›ื•ื•ื™ืฅ ; [ื”ื‘ื™ืื” ืœื“ืคื•ืก - ืœืื” ืฉื ื™ืจ]. -- [ื‘ื ื™ ื‘ืจืง]  : ื”ืงื™ื‘ื•ืฅ ื”ืžืื•ื—ื“, ืชืฉืก"ื— 2008. 
341  ืขืž'.
Permit to pass : generation shifts, Meir Wiezeltier and the poetry of the 60s / Nurit Buchweitz

ืจืฉื•ืช ืžืขื‘ืจ - ื—ื™ืœื•ืคื™ ื ื•ืจืžื•ืช, ืžืื™ืจ ื•ื™ื–ืœื˜ื™ืจ ื•ืฉื™ืจืช ืฉื ื•ืช ื”ืฉื™ืฉื™ื, ื”ื•ื ืžื—ืงืจ ืกืคืจื•ืชื™ ืขืœ ืฉื™ืจืชื• ืฉืœ ืžืื™ืจ ื•ื™ื–ืœื˜ื™ืจ ื•ืฉื™ืจืช ื‘ื ื™ ื“ื•ืจื•, ื”ืžืฉื•ืœื‘ ื‘ืคืจืกืคืงื˜ื™ื‘ื•ืช ืชืจื‘ื•ืชื™ื•ืช ื•ื”ื™ืกื˜ื•ืจื™ื•ืช ื‘ื ื•ืช ื”ื–ืžืŸ.
ื”ืกืคืจ ืžืชืืจ ืืช ืฉื™ืจืช ืžืฉืžืจืช ื”ืžืฉื•ืจืจื™ื ืฉืœ ืฉื ื•ืช ื”ืฉื™ืฉื™ื, ื”ื›ื•ืœืœืช ื’ื ืืช ื™ื•ื ื” ื•ื•ืœืš ื•ื™ืื™ืจ ื”ื•ืจื‘ื™ืฅ, ื›ื™ื—ื™ื“ื” ื“ื•ืจื™ืช ื ืคืจื“ืช ื•ืขืฆืžืื™ืช ื‘ืฉืœืฉืœืช ื”ื“ื•ืจื•ืช ืฉืœ ื”ืฉื™ืจื” ื”ืขื‘ืจื™ืช. ืžืื™ืจ ื•ื™ื–ืœื˜ื™ืจ ืžื•ืฆื‘ ื‘ืžืจื›ื–, ื›ืžืฉื•ืจืจ ื”ืžื™ื™ืฆื’ ืืช ื ื•ืจืžื•ืช ื”ื›ืชื™ื‘ื” ืฉืœ ื”ื“ื•ืจ ื‘ืื•ืคืŸ ื”ืžื•ื‘ื”ืง ื‘ื™ื•ืชืจ.
ืžืชื•ืš ื”ื”ื ื—ื”, ืฉื”ืกื‘ืจ ืชืงืฃ ืฉืœ ื”ืชืคืชื—ื•ืช ืชื•ืคืขื•ืช ื“ื•ืจืฉ ืืช ืชื™ืื•ืจืŸ ืขืœ ืจืงืข ืชื”ืœื™ื›ื™ื ืฉืงื“ืžื• ืœื”ืŸ, ืขื•ืจื›ืช ื”ืžื—ื‘ืจืช ื ื•ืจื™ืช ื‘ื•ื›ื•ื™ื™ืฅ ืžื—ืงืจ ื”ืฉื•ื•ืืชื™ ื‘ืคื•ืื˜ื™ืงื” ืฉืœ ืฉื™ืจืช ืฉื ื•ืช ื”ืฉื™ืฉื™ื ืืœ ืžื•ืœ ืฉื™ืจืช ื”ื“ื•ืจ ื”ืกืžื•ืš ืœื” ื‘ื–ืžืŸ. ื ืชืŸ ื–ืš, ื›ืžืฉื•ืจืจ ื”ื‘ื•ืœื˜ ืฉืœ ื“ื•ืจื•, ืขื•ืžื“ ื‘ืžืจื›ื– ื”ื”ืฉื•ื•ืื” ืขื ื›ืชื™ื‘ืชื• ืฉืœ ื•ื™ื–ืœื˜ื™ืจ.
ืคืจืงื™ ื”ืกืคืจ ื ื—ืœืงื™ื ืœืืœื” ื”ืขื•ืกืงื™ื ื‘ืžื•ื“ืœ ื”ืืกื›ื•ืœืชื™ ืฉืœ ืฉื ื•ืช ื”ืฉื™ืฉื™ื ื•ืœืืœื” ื”ืžืชืžืงื“ื™ื ื‘ืžืฉื•ืจืจ ืžืื™ืจ ื•ื™ื–ืœื˜ื™ืจ. ื‘ืคืจืงื™ื ื”ืžืชืืจื™ื ืืช ื”ืžื•ื“ืœ ื”ืืกื›ื•ืœืชื™ ื ืฉืืœื•ืช ืฉืืœื•ืช ืžืชื—ื•ื ืžื—ืงืจ ื”ืชืจื‘ื•ืช ื•ื”ื ื›ื•ืœืœื™ื ื”ืชื‘ื•ื ื ื•ืช ื‘ืžืคืชื— ื”ืื™ื“ื™ืื•ืœื•ื’ื™ ืฉืœ ืžืฉื•ืจืจื™ ื”ืชืงื•ืคื”. ื‘ืคืจืงื™ื ื”ืžืชืืจื™ื ืืช ื”ืžืฉื•ืจืจ ืžืื™ืจ ื•ื™ื–ืœื˜ื™ืจ ื”ื”ืชื‘ื•ื ื ื•ืช ื”ื™ื ืกื˜ืจื•ืงื˜ื•ืจืœื™ืกื˜ื™ืช ื•ื ื‘ื—ื ื™ื ื”ื™ื‘ื˜ื™ื ืœืฉื•ื ื™ื™ื, ืจื˜ื•ืจื™ื™ื, ืื™ื ื˜ืจื˜ืงืกื˜ื•ืืœื™ื™ื ื•ืชืžื˜ื™ื™ื ื‘ืฉื™ืจืชื•.
ื”ืกืคืจ ืจืฉื•ืช ืžืขื‘ืจ ื”ื•ื ื”ืจืืฉื•ืŸ ืœื”ืขืžื™ื“ ื‘ืžืจื›ื–ื• ืืช ืฉื™ืจืชื• ืฉืœ ื•ื™ื–ืœื˜ื™ืจ. ื”ื•ื ืžื›ื™ืœ ืงืจื™ืื” ืžืคื•ืจื˜ืช ื‘ืžื‘ื—ืจ ืžืฉื™ืจื™ื• ื”ืžื•ืงื“ืžื™ื ืฉืœ ื•ื™ื–ืœื˜ื™ืจ - ืฉื™ืจื” ืœื™ืจื™ืช-ืืžื•ื˜ื™ื‘ื™ืช, ืฉื™ืจื” ืื™ืฉื™ืช-ื˜ืจื™ื•ื•ื™ืืœื™ืช, ืฉื™ืจื” ื”ื’ื•ืชื™ืช-ื”ืกื˜ื•ืจื™ื•ืกื•ืคื™ืช ื•ืฉื™ืจื” ื—ื‘ืจืชื™ืช-ืคื•ืœื™ื˜ื™ืช. ื›ืŸ ืžื‘ื™ื ื”ืกืคืจ ืจืื™ื•ืŸ ืžืงื™ืฃ ืฉื ืขืจืš ืขื ื”ืžืฉื•ืจืจ.  

ืชื•ื›ืŸ ื”ืขื ื™ื™ื ื™ื:

1 ืžื‘ื•ื 9
2 ืžืฉื ื•ืช ื”ื—ืžื™ืฉื™ื ืœืฉื ื•ืช ื”ืฉื™ืฉื™ื : ื—ื™ืœื•ืคื™ ื ื•ืจืžื•ืช ื‘ืฉื™ืจื” ื”ื™ืฉืจืืœื™ืช 22
3 ืžื•ื“ืœ ื”ืืกื›ื•ืœื” ืฉืœ ืฉื™ืจืช ืฉื ื•ืช ื”ืฉื™ืฉื™ื 53
4 ืžืงื•ืจื•ืช ื”ื”ืฉืจืื” ืฉืœ ืฉื™ืจืช ืฉื ื•ืช ื”ืฉื™ืฉื™ื: ื”ื–ื™ืงื” ื‘ื™ืŸ ื”ืฉื™ืจื” ื”ื™ืฉืจืืœื™ืช ืœื‘ื™ืŸ ื”ืฉื™ืจื” ื”ืื ื’ืœื•-ืืžืจื™ืงื ื™ืช ื‘ืช ื–ืžื ื” 96
5 ืชืžื•ืจื•ืช ื‘ืžื™ืœื•ืŸ ื”ื›ืœืœื™: ืœืฉื•ืŸ, ื ื•ืฉืื™ื ื•ื—ื•ืžืจื™ื 133
6 ืฉื™ืจืช ื•ื™ื–ืœื˜ื™ืจ: ื“ื’ื ืกื’ื ื•ื ื™ ืคื™ื’ื•ืจื˜ื™ื‘ื™ ื—ื“ืฉ 170
7 ื”ืืœื’ื•ืจื™ื” ื‘ืฉื™ืจืชื• ืฉืœ ื•ื™ื–ืœื˜ื™ืจ: ื‘ื™ื˜ื•ื™ ืฉืœ ืชืžื•ืจื” ืคื•ืื˜ื™ืช 201
8 ื”ื™ื‘ื˜ื™ื ืจื˜ื•ืจื™ื™ื ื‘ืฉื™ืจืช ื•ื™ื–ืœื˜ื™ืจ 226
9 ืชืžื•ืจื•ืช ื‘ืœืฉื•ืŸ ื”ืื™ื ื˜ืจื˜ืงืกื˜ื•ืืœื™ื•ืช 268
ืื—ืจื™ืช ื“ื‘ืจ 305
ื ืกืคื— - ืจืื™ื•ืŸ ืขื ืžืื™ืจ ื•ื™ื–ืœื˜ื™ืจ, 28 ื‘ืžืืจืก 1998 306
ืžืงื•ืจื•ืช ื‘ื™ื‘ืœื™ื•ื’ืจืคื™ื™ื 310
ืžืคืชื—ื•ืช 327

 

ืœืจืืฉ ื”ื“ืฃ

 

 

ืกืคืจื™ ื”ืžื—ื‘ืจ

 

ืขืœ ื™ืฆื™ืจืชื•

 

ืงื™ืฉื•ืจื™ื

 

 

ืœืจืืฉ ื”ื“ืฃ