The 2024 Ursula K. Le Guin Prize for Fiction

 

Photo of Anne de Marcken by Nina Subin. It Lasts Forever and Then It’s Over cover design by Pablo Delcan with illustration by Denise Nestor.

 

Congratulations to Anne de Marcken, recipient of the 2024 Ursula K. Le Guin Prize for Fiction for It Lasts Forever and Then It’s Over!

De Marcken’s novella was chosen by selectors Margaret Atwood, Omar El Akkad, Megan Giddings, Ken Liu, and Carmen Maria Machado. The panel said:

It Lasts Forever and Then It’s Over is a work of quietly detonative imagination. Written in the guise of a zombie novel, it quickly reveals itself to be a deeply felt meditation on the many afterlives of memory, the strange disorienting space where our pasts go to disintegrate. As the heroine wanders a shattered world, clutching a dead crow that is still muttering away, she becomes an incarnation of grief—its numbness and regrets and heartbreaks—and of the inevitability of our decline: we are what we lose. Haunting, poignant, and surprisingly funny, Anne de Marcken’s book is a tightly written tour de force about what it is to be human.

The winner was announced on October 21st, 2024. Watch the announcement, and de Marcken’s speech, in the video below:

 
 

It Lasts Forever and Then It’s Over is published by New Directions Publishing in the U.S., Fitzcarraldo Editions in the U.K., and Giramondo in Australia.

The ten shortlisted books were chosen by the Ursula K. Le Guin Foundation following a public nomination process. Many thanks to all who nominated work for this prize and to Electric Literature for announcing the shortlist, and profound gratitude to this year’s selectors.

Details about the shortlist, and the selection panel’s bios, are below.

The Ursula K. Le Guin Prize for Fiction is an annual $25,000 cash prize given to a writer for a single work of imaginative fiction. This award is intended to recognize those writers Ursula spoke of in her 2014 National Book Awards speech—realists of a larger reality, who can imagine real grounds for hope and see alternatives to how we live now. Read about the first Ursula K. Le Guin Prize for Fiction, awarded in 2022.


2024 Shortlist

The Saint of Bright Doors by Vajra Chandrasekera

A young man rejects his chosen-one upbringing and discovers a much stranger life in a city full of doors and powers. Through layered storytelling that is both fantastical and familiar, Chandrasekera re-mythologizes the boundless ways that people shape and reshape history and the world.

The Skin and its Girl by Sarah Cypher (cover illustration with text over antelope-headed figure, seated)

The Skin and its Girl by Sarah Cypher

At the grave of her beloved aunt, a queer, blue-skinned, Palestinian American woman ponders the next stage of her life and how it is informed by her family’s past. Cypher deftly explores the complexities of the stories we tell about ourselves, and the histories hidden in tales of magic and transformation.

It Lasts Forever and Then its Over by Anne de Marcken (cover illustration with text inside black bird silhouette)

It Lasts Forever and Then It’s Over by Anne de Marcken

In De Marcken’s compassionate novella, a nameless, undead protagonist finds new ways to navigate the landscapes shared by the living and the dead, the human and the inhuman. Her journey poignantly demonstrates new ways to grieve in and for a world we often take for granted.

Orbital by Samantha Harvey (cover illustration; abstract with colorful spheres)

Orbital by Samantha Harvey

Over the course of a single day, six astronauts orbit the earth, witnessing repeated sunrises, tending to their tasks and their bodies, and watching as a typhoon gathers far below. Meditative and precise, Orbital fosters an essential and global shift in perspective.

Sift by Alissa Hattman (cover illustration with relief-cut image underlaying title text and top half of image)

Sift by Alissa Hattman

Hattman’s elegiac novella follows two women as they cross a shifting, surreal, post-climate disaster landscape, seeking a place where they can grow food. Tender and rich with memories of the world as we know it, Sift is a meditation on isolation, change, and loss.

The Library of Broken Worlds by Alaya Dawn Johnson (cover illustration with hands holding glass sphere, partly shattered)

The Library of Broken Worlds by Alaya Dawn Johnson

Johnson’s novel takes the form of the story a young woman tells to an AI god she intends to destroy. Encompassing several worlds, many gods, and peoples displaced and destroyed by war and colonialism, her tale is woven through with complex ideas about selfhood, history, and freedom.

Those Beyond the Wall by Micaiah Johnson (cover illustration with red figure against gray cityscape, harsh and geometric style)

Those Beyond the Wall by Micaiah Johnson

The loyal mechanic to an emperor tells a story of revolution, community, and love in Johnson’s novel, which begins as a supernatural murder mystery before expanding to fearlessly consider what it might take for one world in the multiverse to achieve massive structural change.

The Siege of Burning Grass by Premee Mohamed (cover illustration with bird-headed person in green jacket)

The Siege of Burning Grass by Premee Mohamed

In a world long divided by conflict, a famed pacifist is coerced into a mission of war alongside a zealot who cares only for victory. Mohamed melds inventive worldbuilding with a nuanced consideration of power, violence, nationalism, and what it takes to achieve peace.

Some Desperate Glory by Emily Tesh (cover illustration with blonde girl in militaristic uniform walking between gold doors)

Some Desperate Glory by Emily Tesh

A space opera and a profound lesson in changing one’s mind, Some Desperate Glory follows a girl raised in a violent space cult who learns how to unravel the lies of her upbringing. Tesh shows that paradigm shifts are possible, however wrenchingly difficult they may be.

Mammoths at the Gates by Nghi Vo (cover illustration with birds, tusks, and scripted font)

Mammoths at the Gates by Nghi Vo

Returning after a long absence, a story-collecting cleric finds that their abbey’s leader has died, and their distant family waits at the gates, demanding the body. Tracing the multitude of connections that exist in a single life, Vo illustrates the transformative power that grief has for an individual and for a community.


2024 Selection Panel

Photo by Luis Mora

Margaret Atwood is the author of more than fifty books of fiction, poetry, and critical essays. Her novels include Cat’s Eye, The Robber Bride, Alias Grace, The Blind Assassin, and the Maddaddam trilogy. Her 1985 classic The Handmaid’s Tale was followed in 2019 by a sequel, The Testaments, which was a global bestseller and won the Booker Prize. In 2020 she published Dearly, her first collection of poetry in a decade, followed by 2022’s Burning Questions, a selection of essays from 2004-2021. Her next collection of short stories, Old Babes in the Wood, was published in 2023. Atwood has won numerous awards, including the Arthur C. Clarke Award for Imagination in Service to Society, the Franz Kafka Prize, the Peace Prize of the German Book Trade, the PEN USA Lifetime Achievement Award, and the Dayton Literary Peace Prize. In 2019 she was made a member of the Order of the Companions of Honour for services to literature. She has also worked as a cartoonist, illustrator, librettist, playwright, and puppeteer. She lives in Toronto, Canada.

Photo courtesy Omar El Akkad

Omar El Akkad is an author and a journalist. He has reported from Afghanistan, Guantánamo Bay, and many other locations around the world. His work earned Canada’s National Newspaper Award for Investigative Journalism and the Goff Penny Award for young journalists. His writing has appeared in The Guardian, Le Monde, Guernica, GQ, and many other newspapers and magazines. His debut novel, American War, was an international bestseller and has been translated into 13 languages. It won the Pacific Northwest Booksellers Association Award, the Oregon Book Award, and the Kobo Emerging Writer Prize. His second novel, What Strange Paradise, won the Giller Prize, and was named one of the best books of the year by The New York Times, The Washington Post, and NPR.

Photo by Jon Cameron

Megan Giddings is an assistant professor at the University of Minnesota. Her novel Lakewood was published by Amistad in 2020. It was one of New York Magazine’s 10 best books of 2020, one of NPR’s best books of 2020, a Michigan Notable book for 2021, was a nominee for two NAACP Image Awards, and a finalist for a 2020 Los Angeles Times Book Prize in The Ray Bradbury Prize for Science Fiction, Fantasy, and Speculative Fiction category. Her second novel, The Women Could Fly (Amistad 2022), was named one of The Washington Post’s Best Science Fiction and Fantasy novels of 2022, one of Vulture’s Best Fantasy books of 2022, and was a New York Times Editors’ Choice. Her work has received support from the Barbara Deming Foundation and Hedgebrook.

Photo by Lisa Tang Liu

Ken Liu is an American author of speculative fiction. A winner of the Nebula, Hugo, and World Fantasy awards, he wrote the Dandelion Dynasty, a silkpunk epic fantasy series (starting with The Grace of Kings), as well as short story collections The Paper Menagerie and Other Stories and The Hidden Girl and Other Stories. He also penned the Star Wars novel The Legends of Luke Skywalker.

Prior to becoming a full-time writer, Liu worked as a software engineer, corporate lawyer, and litigation consultant. Liu frequently speaks at conferences and universities on a variety of topics, including futurism, machine-augmented creativity, history of technology, bookmaking, and the mathematics of origami.

Photo by Art Streiber

Carmen Maria Machado is the author of the bestselling memoir In the Dream House, the graphic novel The Low, Low Woods, and the award-winning short story collection Her Body and Other Parties. She has been a finalist for the National Book Award and the winner of the Bard Fiction Prize, the Lambda Literary Award for Lesbian Fiction, the Lambda Literary Award for LGBTQ Nonfiction, the Brooklyn Public Library Literature Prize, the Shirley Jackson Award, and the National Book Critics Circle's John Leonard Prize. In 2018, the New York Times listed Her Body and Other Parties as a member of "The New Vanguard," one of "15 remarkable books by women that are shaping the way we read and write fiction in the 21st century."

Her essays, fiction, poetry, and criticism have appeared in the New Yorker, The New York Times, Granta, Vogue, This American Life, Harper’s Bazaar, Tin House, McSweeney's Quarterly Concern, The Believer, Guernica, Best American Science Fiction & Fantasy, Best American Nonrequired Reading, and elsewhere. She holds an MFA from the Iowa Writers’ Workshop and has been awarded fellowships and residencies from the Guggenheim Foundation, The Pew Center for Arts & Heritage, Yaddo, Hedgebrook, and the Millay Colony for the Arts. She is the former Abrams Artist-in-Residence at the University of Pennsylvania.