About the New Criterion
On the front lines of the battle for culture.
The New Criterion, edited by Roger Kimball, was founded in 1982 by the art critic Hilton Kramer and the pianist and music critic Samuel Lipman. A monthly review of the arts and intellectual life, The New Criterion began as an experiment in critical audacityâa publication devoted to engaging, in Matthew Arnoldâs famous phrase, with âthe best that has been thought and said.â This also meant engaging with those forces dedicated to traducing genuine cultural and intellectual achievement, whether through obfuscation, politicization, or a commitment to nihilistic absurdity. We are proud that The New Criterion has been at the forefront both of championing what is best and most humanely vital in our cultural inheritance and of exposing what is mendacious, corrosive, and spurious. Published monthly from September through June, The New Criterion brings together a wide range of young and established critics whose common aim is to bring you the most incisive criticism being written today.
âAs a critical periodical, The New Criterion is probably more consistently worth reading than any other magazine in English.â
âJulian Symons
the Times Literary Supplement
Editorial Staff
Roger Kimball
Editor & Publisher
Roger Kimball is Editor and Publisher of The New Criterion and President and Publisher of Encounter Books. He writes regular columns for American Greatness, The Epoch Times, and The Spectator, US edition. Mr. Kimball lectures widely and has appeared on national radio and television programs as well as the BBC. He is represented by Writersâ Representatives, who can provide details about booking him.
James Panero
Executive Editor
James Panero is Executive Editor of The New Criterion. He writes on art and culture monthly for The New Criterion and serves as the magazineâs gallery critic. ARTINFO has called him a âpreeminent voice of American cultural conservatism.â
Ben Riley
Managing Editor
Benjamin Riley is Managing Editor of The New Criterion. He received his MA from The Courtauld Institute of Art and was the Hilton Kramer Fellow in Criticism at The New Criterion. He graduated from Dartmouth College, where he served as President and Publisher of The Dartmouth Review. His undergraduate and graduate theses both examined the work of the Scottish architect Robert Adam (1728â1792).
Robert S. Erickson
Associate Editor
Robert S. Erickson is Associate Editor at The New Criterion. After serving as the magazineâs Hilton Kramer Fellow in 2019â20, he completed a post-baccalaureate year in Classics at Columbia University. He holds a BA in Classics and the Program in Literary Studies from Middlebury College.
Isaac Sligh
Associate Editor
Isaac Sligh is Associate Editor at The New Criterion. He was the magazineâs eighth Hilton Kramer Fellow. He studied English literature at Sewanee: The University of the South and served as the head curator of the Ralston Listening Library and Archive in Sewanee, TN, one of the nationâs largest collections of recorded classical music.
Jane Coombs
Hilton Kramer Fellow
Jane Coombs is the current Hilton Kramer Fellow at The New Criterion. She studied medieval history and literature at the University of Cambridge and earned an MA from the Courtauld Institute of Art, focusing on nineteenth-century British art. After returning home to Canada, she participated in the Emerging Arts Critics program in Toronto and contributed to a number of arts magazines.
Adam Kirsch
Poetry Editor
Adam Kirsch, a poet, critic, and an editor of The Wall Street Journalâs weekend Review section, is a regular contributor to The Atlantic and The New Yorker, as well as the author of ten books, including The People and the Books: 18 Classics of Jewish Literature (W. W. Norton, 2016), Why Trilling Matters (Yale, 2011), and, most recently, Who Wants to Be a Jewish Writer?: Essays (Yale, 2019). He was a Guggenheim Fellow in 2016 and a Hodder Fellow at Princeton University from 2004â05. In 2013 he served as a judge for the Pulitzer Prize for Poetry, and he was a 2007 finalist for the National Book Critics Circleâs Nona Balakian Prize for Book Reviewing. He has taught literature and writing at Columbia University and Sarah Lawrence College. The first of his three collections of poetry, The Thousand Wells: Poems, was the 2002 winner of the New Criterion Poetry Prize. He has subsequently served as a New Criterion Poetry Prize judge.
Conrad Black
Visiting Critic
Conrad Black is The New Criterionâs Visiting Critic for the 2021â22 season and the 2020 recipient of the Edmund Burke award. His book Donald J. Trump: A President Like No Other was recently published in an updated paperback edition by Encounter Books.
Victor Davis Hanson
Visiting Critic
Victor Davis Hanson is a Senior Fellow at the Hoover Institution, Stanford University, and the author of The Dying Citizen (Basic Books). He is The New Criterionâs Visiting Critic for the 2021â22 season and the 2018 recipient of the Edmund Burke award.
Founders
Hilton Kramer
Founding Editor & Publisher
Hilton Kramer (1928â2012) was the founding editor of The New Criterion, which he started with the late Samuel Lipman in 1982. From 1987 until 2006, he was also the art critic for the weekly New York Observer, and for many years wrote the âCriticâs Notebookâ column in Art & Antiques magazine. His âMedia Watchâ column was published weekly in The New York Post from 1993 to November 1997.
Samuel Lipman
Publisher 1982-1994
Samuel Lipman (1934â1994) was the founding publisher of The New Criterion, which he started with the late Hilton Kramer in 1982. A distinguished concert pianist, Lipman wrote music criticism for Commentary and served on the National Council on the Arts.
Office Staff
Endorsements
âAmericaâs leading review of the arts and intellectual life.â
âThe Daily Telegraph of London
âA review of the arts and intellectual life, the iconic monthly is as smart as it is bold. Each issue is chock-full of wise observations about culture and politics, pinpoint attacks on political correctness and long-form examinations of things that matter.â
âMichael Goodwin, New York Post
âMore consistently worth reading than any other magazine in English.â
âThe Times Literary Supplement
âIndeed, nearly all the magazine’s reviewingâof books, art, and musicâis first-rate. The poetry featured is comparably exceptional with a strong preference for formal verse (which is just fine by me).â
âMichael Dirda
âA refuge for a civilizing element in short supply in contemporary America: honest criticism.â
âThe Wall Street Journal
Support the New Criterion
The New Criterion is published by The Foundation for Cultural Review, 900 Broadway, New York, NY 10003, a nonprofit public foundation as described in Section 501 (c) (3) of the Internal Revenue Code, which solicits and accepts contributions from a wide range of sources, including public and private foundations, corporations, and the general public. Contributions to The New Criterion are tax deductible according to the provisions of the Internal Revenue Code. All gifts in excess of $75 will be acknowledged with a written disclosure statement describing the âquid pro quoâ deductibility under section 6115 of the Internal Revenue Code.

