ืœื“ืœื’ ืœืชื•ื›ืŸ

ื™ืื™ืจ ื‘ืจืง (ืืžืŸ)

ืžืชื•ืš ื•ื™ืงื™ืคื“ื™ื”, ื”ืื ืฆื™ืงืœื•ืคื“ื™ื” ื”ื—ื•ืคืฉื™ืช
ื™ืื™ืจ ื‘ืจืง
ืื™ืŸ ืชืžื•ื ื” ื—ื•ืคืฉื™ืช
ืื™ืŸ ืชืžื•ื ื” ื—ื•ืคืฉื™ืช
ืœื™ื“ื” 18 ื‘ืคื‘ืจื•ืืจ 1973 (ื‘ืŸย 53)
ืžื“ื™ื ื” ื™ืฉืจืืœ ืขืจื™ื›ืช ื”ื ืชื•ืŸ ื‘ื•ื•ื™ืงื™ื ืชื•ื ื™ื
ืชื—ื•ื ื™ืฆื™ืจื” ืฆื™ืœื•ื, ื•ื™ื“ืื• ืืจื˜, ืžื™ืฆื‘ ืขืจื™ื›ืช ื”ื ืชื•ืŸ ื‘ื•ื•ื™ืงื™ื ืชื•ื ื™ื
ื”ืฉื›ืœื”
yairbarak.com
ืœืขืจื™ื›ื” ื‘ื•ื•ื™ืงื™ื ืชื•ื ื™ื ืฉืžืฉืžืฉ ืžืงื•ืจ ืœื—ืœืง ืžื”ืžื™ื“ืข ื‘ืชื‘ื ื™ืช

ื™ืื™ืจ ื‘ืจืง (ื ื•ืœื“ ื‘-18 ื‘ืคื‘ืจื•ืืจ 1973) ื”ื•ื ืึธืžึธึผืŸ ืฆื™ืœื•ื, ื•ื™ื“ืื• ื•ืžื™ืฆื‘, ืื•ืฆืจ ื•ื›ื•ืชื‘, ื’ืจ ื•ืขื•ื‘ื“ ื‘ืชืœ ืื‘ื™ื‘.

ื‘ืฉื ืช 2000 ืกื™ื™ื ื‘ื”ืฆื˜ื™ื™ื ื•ืช ืืช ืœื™ืžื•ื“ื™ื• ื‘ืžื—ืœืงื” ืœืฆื™ืœื•ื ื‘ื‘ื™ืช ื”ืกืคืจ ืœืืžื ื•ืช "ืงืžืจื” ืื•ื‘ืกืงื•ืจื”" ื‘ืชืœ ืื‘ื™ื‘. ื‘ืฉื ืช 2005 ื”ืงื™ื ืืช ื”ืžื—ืœืงื” ืœืฆื™ืœื•ื ื‘ื‘ื™ืช ื”ืกืคืจ "ืžื ืฉืจ ืœืืžื ื•ืช" ื‘ืชืœ ืื‘ื™ื‘.
ื‘-2008 ืœืžื“ ื‘ืžืกื’ืจืช ืชื•ื›ื ื™ืช ื”ืชื•ืืจ ื”ืฉื ื™ ื‘ืืžื ื•ืช ื‘-"Bard College" ื‘ื ื™ื• ื™ื•ืจืง. ื‘ืฉื ืช 2020 ืžื•ื ื” ืœืจืืฉื•ืช ื‘ื™ืช ื”ืกืคืจ ืœืืžื ื•ืช ื‘ืžื›ืœืœืช ืกืžื™ื ืจ ื”ืงื™ื‘ื•ืฆื™ื ื•ืœืื•ืฆืจ ืจืืฉื™ ื•ืžื ื”ืœ ืืžื ื•ืชื™ ืฉืœ ืžืงื•ื ืœืืžื ื•ืช ื‘ืชืœ ืื‘ื™ื‘

ืชืขืจื•ื›ืช ื”ื™ื—ื™ื“ ื”ืจืืฉื•ื ื” ืฉืœ ื‘ืจืง ื”ื•ืฆื’ื” ื‘ืฉื ืช 2002 ื‘ื’ืœืจื™ื” ื ื’ื ื‘ืชืœ ืื‘ื™ื‘. ืžืื– ื”ื•ืฆื’ื• ืขื‘ื•ื“ื•ืชื™ื• ื‘ื—ืœืœื™ ืชืฆื•ื’ื” ืจื‘ื™ื ื•ื—ืฉื•ื‘ื™ื ื‘ื™ืฉืจืืœ ื•ืžื—ื•ืฆื” ืœื”. ื‘ื™ืŸ ืชืขืจื•ื›ื•ืชื™ื•:

  • "ืงืจื”" ื‘ื’ืœืจื™ื” ื”ืงื™ื‘ื•ืฅ (2006ึฟึฟ)
  • "ืœื™ืงื•ื™" ื‘ื’ืœืจื™ื” ื“ืŸ (2011)
  • "ื’ื ื™ื‘ื•ืช ืกืคืจื•ืชื™ื•ืช ื•ืžื”ืคื›ื•ืช" ื‘ื’ืœืจื™ื” ื“ืŸ (2012)
  • "Speaking Generally" ื‘ื’ืœืจื™ื” ื’'ื•ืœื™ ืž. (2014)
  • "ืžืชืจื—ืง ืžืžืฉื”ื•, ื ื•ืขืฅ ื‘ื• ืืช ืขื™ื ื™ื•" ื‘ืžื•ื–ื™ืื•ืŸ ืชืœ ืื‘ื™ื‘ ืœืืžื ื•ืช (2014).[1]
  • ืดื”ื™ื‘ืฉื•ืช ื•ื”ืคื ื™ืืด, ืžื•ื–ื™ืื•ืŸ ื”ืจืฆืœื™ื” ื•ืžืฉื›ืŸ ื”ืืžื ื™ื ื‘ื”ืจืฆืœื™ื” (2017)
  • ืดืฉืœื•ืฉื” ืจืืฉื™ื ืคื ื™ืžื”ืด, ื”ืžืฉื›ืŸ ืœืืžื ื•ืช ื‘ืขื™ืŸ ื—ืจื•ื“ (2019)

ื‘ืจืง ืžืœืžื“ ื‘ื—ื•ื’ ืœืืžื ื•ืช ื‘ืžื›ืœืœืช ืกืžื™ื ืจ ื”ืงื™ื‘ื•ืฆื™ื, ื‘ืžื›ื•ืŸ ื”ื˜ื›ื ื•ืœื•ื’ื™ ื‘ื—ื•ืœื•ืŸ (HIT) ื•ื›ืŸ ื‘ืžืกื’ืจืช ืชื•ื›ื ื™ืช ื”ืœื™ืžื•ื“ื™ื ืฉืœ "ื‘ื™ืช ืœืืžื ื•ืช ื™ืฉืจืืœื™ืช". ื”ื—ืœ ืž-2020 ืžืฉืžืฉ ื›ืจืืฉ ื”ืžื—ืœืงื” ืœืืžื ื•ืช ื‘ืกืžื™ื ืจ, ื•ื›ืŸ ื›ืื•ืฆืจ ืจืืฉื™ ื•ืžื ื”ืœ ืืžื ื•ืชื™ ื‘ืžืงื•ื ืœืืžื ื•ืช.[2][3]

ื‘ื™ืŸ ื”ืชืขืจื•ื›ื•ืช ืฉืืฆืจ:

  • ืดื”ื“ื•ืจ ื”ืฉืœื™ืฉื™ โ€“ ืฆื™ืœื•ื ื›ืžืฉื‘ืจ ื–ื”ื•ืชืด ื‘ื’ืœืจื™ื” ืžื ืฉืจ ืœืืžื ื•ืช (2006)[4]
  • ืดื“ื‘ืจื™ื ื›ืฉืœืขืฆืžืืด, ืชืขืจื•ื›ืช ื™ื—ื™ื“ ืœืœื™ืืช ืืœื‘ืœื™ื ื’, ื’ืœืจื™ื” ื’ืณื•ืœื™ ืž. (2015)[5][6]
  • "ืื ื™ ื‘ืกื“ืจ", ืชืขืจื•ื›ืช ื™ื—ื™ื“ ืœื“ื•ืจื•ืŸ ืื“ืจ, ื’ืœืจื™ื” ืื’ืจื™ืคืก 12 (2015)
  • ืดืฆื™ืœื•ื, ืœืžืขืฉื”ืด ื‘ื’ืœืจื™ื” ืกืงืœืืจ ืœื•ื™, ืžื•ื“ื™ืขื™ืŸ (2017)[7]
  • ืดืฉืชื™ื™ื ื›ืคื•ืœ ืฉืœื•ืฉืด ื‘ื’ืœืจื™ื” ืื—ื“ ื”ืขื 9 (2021)[8]
  • ืดื–ื” ืœื ื–ืžืŸ ืœืื›ื•ืœ ื›ืจื•ื‘ื™ืช ืืœ ื“ื ื˜ื”ืด, ืชืขืจื•ื›ืช ื™ื—ื™ื“ ืœืื™ื™ืœืช ืจื™ื–ื” (2021)[9]
  • "ืงื™ืจ ืืžืŸ", ืชืขืจื•ื›ืช ื™ื—ื™ื“ ืฉืœ ื—ื’ื™ืช ืงื–ื™ื ื™ืฅ, ืžืงื•ื ืœืืžื ื•ืช, ืง. ื”ืžืœืื›ื”, ืช"ื (2022)

ืœืงืจื™ืื” ื ื•ืกืคืช

[ืขืจื™ื›ืช ืงื•ื“ ืžืงื•ืจ | ืขืจื™ื›ื”]
  • 2006 - ื”ืืจืฅ, ื‘ื™ืงื•ืจืช ืขืœ ื”ืชืขืจื•ื›ื” "ื”ื“ื•ืจ ื”ืฉืœื™ืฉื™โ€, ืขื•ื–ื™ ืฆื•ืจ.
  • 2007 - The Abused landscape ื’ื™ืœื™ื•ืŸ 35, ืžื’ื–ื™ืŸ Afterimage.
  • 2007 - ynet, ืคืจื™ื“ื” ืžืŸ ื”ืžืžืฉื™, ืฉื™ื—ื” ืขื ื™ืื™ืจ ื‘ืจืง ื‘ืขืงื‘ื•ืช ืชืขืจื•ื›ืชื• ืงืจื”, ื˜ืœื™ ื›ื”ืŸ ื’ืจื‘ื•ื–.
  • 2007 - ื™ื“ื™ืขื•ืช ืื—ืจื•ื ื•ืช, ื‘ื™ืงื•ืจืช ืขืœ ื”ืชืขืจื•ื›ื” ืงืจื”, ืจื•ืชื™ ื“ื™ืจืงื˜ื•ืจ.
  • 2007 - ืขื™ืชื•ืŸ ื”ืขื™ืจ, ื‘ื™ืงื•ืจืช ืขืœ ื”ืชืขืจื•ื›ื” ืงืจื”, ื—ืžื“ื” ืจื•ื–ื ื‘ืื•ื
  • 2007 - ืžื’ื–ื™ืŸ ื˜ื™ื™ื ืืื•ื˜ ืชืœ ืื‘ื™ื‘, ื‘ื™ืงื•ืจืช ืขืœ ื”ืชืขืจื•ื›ื” ืงืจื”, ื“ื ื” ืฉื•ื•ืคื™.
  • 2010 - ืžื•ืกืฃ ื’ืœืจื™ื”, ื”ืืจืฅ, ื‘ื™ืงื•ืจืช ืขืœ ื”ืชืขืจื•ื›ื” ืงื•ืจื•ืช ืžืืช ืกืžื“ืจ ืฉืคื™.
  • 2010 - ืžื’ื–ื™ืŸ ืขื›ื‘ืจ ื”ืขื™ืจ, ื‘ื™ืงื•ืจืช ืขืœ ื”ืชืขืจื•ื›ื” ืงื•ืจื•ืช, ื”ื™ืœื” ืฉืงื•ืœื ื™ืง ื‘ืจื ืจ (ืžืื™ 2010).
  • 2026 - ืžื’ื–ื™ืŸ ืขืจื‘ ืจื‘, ืฉืžื™ืจืช ืžื•ื—ื•ืช 3 โ€“ ื™ืื™ืจ ื‘ืจืง.

ืงื™ืฉื•ืจื™ื ื—ื™ืฆื•ื ื™ื™ื

[ืขืจื™ื›ืช ืงื•ื“ ืžืงื•ืจ | ืขืจื™ื›ื”]

ื”ืขืจื•ืช ืฉื•ืœื™ื™ื

[ืขืจื™ื›ืช ืงื•ื“ ืžืงื•ืจ | ืขืจื™ื›ื”]
  1. โ†‘ ื”ืชืขืจื•ื›ื” "ืžืชืจื—ืง ืžืžืฉื”ื•, ื ื•ืขืฅ ื‘ื• ืืช ืขื™ื ื™ื•" ื‘ืืชืจ ื”ืื™ื ื˜ืจื ื˜ ืฉืœ ืžื•ื–ื™ืื•ืŸ ืชืœ ืื‘ื™ื‘ ืœืืžื ื•ืช
  2. โ†‘ ืืžื ื•ืช - ืกื’ืœ ื”ื”ื•ืจืื” - ืกืžื™ื ืจ ื”ืงื™ื‘ื•ืฆื™ื, ื‘ืืชืจ www.smkb.ac.il
  3. โ†‘ about ืื•ื“ื•ืช, ื‘ืืชืจ Artspace Tel-Aviv (ื‘ืื ื’ืœื™ืช)
  4. โ†‘ ื—ืžื“ื” ืจื•ื–ื ื‘ืื•ื, ืžืฉื‘ืจ ื”ื“ื•ืจ ื”ืฉื ื™, ื‘ืืชืจ ื”ืืจืฅ, 14 ื‘ื ื•ื‘ืžื‘ืจ 2006
  5. โ†‘ ืืชืจ ืœืžื ื•ื™ื™ื ื‘ืœื‘ื“ ืขื•ื–ื™ ืฆื•ืจ, ืœื™ืืช ืืœื‘ืœื™ื ื’ ื”ื’ืฉื™ืžื” ืœื™ ื—ืœื•ื ืงื˜ืŸ, ื‘ืืชืจ ื”ืืจืฅ, 9 ื‘ื™ื•ืœื™ 2015
  6. โ†‘ ืืชืจ ืœืžื ื•ื™ื™ื ื‘ืœื‘ื“ ื’ืœื™ื” ื™ื”ื‘, ื”ืขื‘ื•ื“ื•ืช ืฉืœ ืœื™ืืช ืืœื‘ืœื™ื ื’ ื”ืŸ ื™ื•ืชืจ ืขื™ืฆื•ื‘ ืžืกื•ื’ื ืŸ ื•ืžื ื•ืžืก ืžืืฉืจ ืืžื ื•ืช, ื‘ืืชืจ ื”ืืจืฅ, 16 ื‘ื™ื•ืœื™ 2015
  7. โ†‘ "Photography, in Fact", Sklar Levy Gallery (ื‘ืื ื’ืœื™ืช ืืžืจื™ืงืื™ืช)
  8. โ†‘ ืžื’ืœื™ื ืื•ืฆืจื•ืช // ื™ืื™ืจ ื‘ืจืง, ื‘ืืชืจ "ืคื•ืจื˜ืคื•ืœื™ื•", 1 ื‘ื“ืฆืžื‘ืจ 2021
  9. โ†‘ Ayelet Riza / ืื™ื™ืœืช ืจื™ื–ื”, ื‘ืืชืจ Artspace Tel-Aviv (ื‘ืื ื’ืœื™ืช)